Table of Contents
Tattoo Removal: Three Snapshots
Ravens and Film: Stories of Continuity and Mediation
A Child’s Right to Participation: Photovoice as Methodology for Documenting the Experiences of Children Living in Kenyan Orphanages
“I’ll Show You My Wounds”: Engaging Suffering through Film
Many Mexicos, Vistas de la frontera. Arizona State Museum. November 19, 2010–November 17, 2012.
Eating Alaska. Directed by Ellen Frankenstein, 2008, 57 minutes, color. Distributed by New Day Films, P.O. Box 1084, Harriman, NY 10926, http://www.newday.com
Umiaq Skin Boat. Directed by Jobie Weetaluktuk, 2008, 31 minutes, B&W and color. Distributed by Documentary Educational Resources, 101 Morse Street, Watertown, MA 02472, http://www.der.org
Hong Kong: Migrant Lives, Landscapes, and Journeys. Caroline Knowles and Douglas Harper. Chicago and London: The University of Chicago Press, 2009.
Global Indigenous Media: Culture, Poetics, and Politics. Edited by Pamela Wilson and Michelle Stewart. ••: Duke University Press, 2008.
Making the Scene: A History of Stage Design and Technology in Europe and the United States. Oscar G. Brockett, Margaret Mitchell, and Linda Hardberger. San Antonio: Tobin Theatre Arts Fund, U of Texas P, 2010.
Viewpoints: Visual Anthropologist at Work. Edited by Mary Strong and Laena Wilder. Austin: University of Texas Press, 2009.
Posted on: Thursday, December 29th, 2011
Trafficking in Tobacco Farm Culture: Tobacco Companies’ Use of Video Imagery to Undermine Health Policy (p 1-24)
Rural Woman and Modernity in Globalizing China: Seeing Jia Zhangke’s The World (p 25-39) ARIANNE GAETANO
The Marigold Trail: A Study of Robert Gardner’s Forest of Bliss (1985) (p 40-48)
Photographic Evidence for Southern Plains Armor (p 49-65)
DANIEL J. GELO, LAWRENCE T. JONES III
Posted on: Sunday, May 31st, 2009