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Visual Anthropology Review

Vol. 33 (1) Spring 2017

Table of Contents

Current Issue: Spring 2017
Volume 33, Issue 1

View on AnthroSource


The Imperial Condition of Photography in Palestine: Archives, Looting, and the Figure of the Infiltrator
Ariella Azoulay

Framing Visual Politics: Photography of the Wall in Palestine
Nayrouz Abu Hatoum

Let There Be Light: Wauja People and the Practice of Photographic Primitivism in Sebastião Salgado’s Genesis
Christopher Ball

If You Were in My Sneakers: Migration Stories in the Studio Photography of Dakar based Omar Victor Diop
Beth Buggenhagen

The Red Kiss of the Past that Does Not Pass”: State Socialism in Albanian Visual Art Today
Sofia Kalo

Censorship and Ethnographic Film: Confronting State Bureaucracies, Cultural Regulation, and Institutionalized Homophobia in India
Harjant Gill

THE PAGE: Painting

Atlas of Dreams:  Unveiling the Invisible in the San Francisco Bay Area
Lydia Nakashima Degarrod


Roots of Love. Harjant Gill. 2011, 26min, color. Produced by PSBT, Tilotama Productions.
Mardistan (Macholand). Harjant Gill, 2014, 28min, color. Produced by PSBT, Tilotama Productions.
Sent Away Boys. Harjant Gill. 2016, 45min, color. Produced by PSBT, Tilotama Productions. (password: punjab)
Arjun Shankar

Bingat (Sherds). Choy Pangilinan, Qubry Quesada, Abet Umil, and Joolia Demigillo, 2015, 112 minutes, color. Distributed by University of the Philippines Film Institute,
Yield. Toshihiko Uriu & Victor Delotavo Tagaro, 2017, 89 minutes, color. Distributed by T.I.U. Cinema,
War is a Tender Thing. Adjani Guerrero Arumpac, 2013, 70 minutes, color. Distributed by Saltwater Cinema,
Dada Docot


In Search of a Lost Avant-Garde: An Anthropologist Investigates the Contemporary Art Museum.
Matti Bunzl. Chicago: University of Chicago Press, 2015.
Eric Gable

Swedish Design: An Ethnography. 
Keith M. Murphy.  Ithaca: Cornell University Press, 2015.
Eric Gable

Soulmaker: The Times of Lewis Hine
Alexander Nemerov. New Jersey: Princeton University Press, 2016.
Younes Saramifar

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