Tattoo Removal: Three Snapshots
by Susan A. Phillips
Round Trip: Filming a Return Home
by Angela Torresan
Ravens and Film: Stories of Continuity and Mediation
by Eugenia Kisin
A Child’s Right to Participation: Photovoice as Methodology for Documenting the Experiences of Children Living in Kenyan Orphanages
by Ginger A. Johnson
“I’ll Show You My Wounds”: Engaging Suffering through Film
by Alberto Guevara and Elysée Nouvet
Many Mexicos, Vistas de la frontera. Arizona State Museum. November 19, 2010–November 17, 2012.
Michael M. Brescia (lead curator).
reviewed by: Lucero Radonic
Eating Alaska. Directed by Ellen Frankenstein, 2008, 57 minutes, color. Distributed by New Day Films, P.O. Box 1084, Harriman, NY 10926, http://www.newday.com
reviewed by: Madeline Chera
Umiaq Skin Boat. Directed by Jobie Weetaluktuk, 2008, 31 minutes, B&W and color. Distributed by Documentary Educational Resources, 101 Morse Street, Watertown, MA 02472, http://www.der.org
reviewed by: Nelson Graburn
Hong Kong: Migrant Lives, Landscapes, and Journeys. Caroline Knowles and Douglas Harper. Chicago and London: The University of Chicago Press, 2009.
reviewed by: Sharon R. Roseman
Global Indigenous Media: Culture, Poetics, and Politics. Edited by Pamela Wilson and Michelle Stewart. ••: Duke University Press, 2008.
reviewed by: Pavel Shlossberg
Making the Scene: A History of Stage Design and Technology in Europe and the United States. Oscar G. Brockett, Margaret Mitchell, and Linda Hardberger. San Antonio: Tobin Theatre Arts Fund, U of Texas P, 2010.
reviewed by: Irene Middleton
Viewpoints: Visual Anthropologist at Work. Edited by Mary Strong and Laena Wilder. Austin: University of Texas Press, 2009.
reviewed by: Jason E. Miller