Image Image Image Image Image Image Image Image Image

Ethnographic Terminalia Archives - Society for Visual Anthropology

Kate Hennessy

By

June 15, 2015

Ethnographic Terminalia awarded the 2015 Michael M. Ames Award for Innovative Museum Anthropology

June 15, 2015 | By | No Comments

Exciting news from the Council for Museum Anthropology!

ANNOUNCING THE 2015 MICHAEL M. AMES AWARD!!

We are pleased to announce that the Council for Museum Anthropology has awarded the 2015 Michael M. Ames Award for Innovative Museum Anthropology to Ethnographic Terminalia for their collective curatorial work since 2009 and the creative experimental approach that they have brought to their installations. Their work encourages intellectual and methodological exchanges between museum anthropology, visual anthropology, digital humanities, curatorial studies and contemporary art and holds tremendous potential as Ethnographic Terminalia continues to grow, produce exhibitions and publications, and partner with diverse venues.

Please join us at the CMA reception in Denver at the AAA meetings in November when we will present the award.

cma-seal

Kate Hennessy

By

February 18, 2015

ISEA 2015: Ethnographic Terminalia Workshop CFP

February 18, 2015 | By | No Comments

Workshop Call for Proposals
Terminus: Archives, Ephemera, and Electronic Art

ISEAheader

Saturday, August 15th, 2015, Vancouver B.C.
ISEA 2015

Deadline for proposal submission: March 30th, 2015
ethnographicterminalia@gmail.com

Organizers: Ethnographic Terminalia Curatorial Collective: Kate Hennessy (Simon Fraser University), Trudi Lynn Smith (University of Victoria), Craig Campbell (University of Texas, Austin), Fiona P. McDonald (New Knowledge Organization, Ltd.), Stephanie Takaragawa (Chapman University); with Glenn Alteen (grunt gallery) and Tarah Hogue (grunt gallery)

Abstract

Since 2009, the Ethnographic Terminalia Curatorial Collective has staged annual exhibitions in major North American cities (Washington D.C., Chicago, New York, San Francisco, Montreal, New Orleans, Philadelphia) that explore the intersections of art and anthropology. Archives, ephemera, and Indigenous articulations of new media, identity, culture, language, and resistance have emerged as central themes in contemporary art-ethnographic practice and as a central interest to the curatorial work of the collective. New technologies, both materially and conceptually, present opportunities to push theoretical, disciplinary, and aesthetic boundaries. However, the implications of digitization and circulation of archival information present particularly interesting challenges for artists and scholars who seek to represent and exploit the potential of digital archives. Building on the collective’s recent exhibitions, and in conjunction with an exhibition of new media artist Geronimo Inutiq’s Arctic Noise project, co-curated for ISEA 2015 at the grunt gallery in Vancouver (Terminal City), Ethnographic Terminalia invites workshop participants to demonstrate and discuss electronic art works and theoretical frameworks that disrupt material, figurative, discursive, cultural, and political manifestations of the archive, broadly conceived. Our discussions of new technologies and archives will culminate in an experimentation with form: the outcome of the workshop will be a collectively hand-made archive/catalogue of the event that will be later digitized and circulated.

CALL FOR PROPOSALS

We seek proposals for presentations in our one-day workshop based on the following format:

1) 5-minute theoretical proposals that take up the 2015 ISEA theme of disruption, as it relates to the archive and its expression in new media

2) 5-minute theoretical proposals that take up the theme of the Terminus, as it relates to the archive and its expression in new media

3) 5-minute theoretical proposals that take up the theme of the New Forms, as it relates to the archive and its expression in new media

4) 15-minute artist statement/demonstrations of artworks that have engaged the archive in a new media / electronic expression.

More: http://ethnographicterminalia.org

Kate Hennessy

By

November 14, 2014

Ethnographic Terminalia 2014: The Bureau of Memories

November 14, 2014 | By | No Comments

The Bureau of Memories: Archives and Ephemera is a thematic reflection on the archive and its discontents. Washington’s identity as the seat of American political power is amplified through its role as the locus of its own memorialization. Where there is history, there is haunting. By drawing on the archive’s unnerving, uncanny, and ephemeral specters, this exhibition is an effort to re-imagine and reposition archives as sites which not only have the capacity to produce and contest historical memory, but also generate significant gaps and blind spots.

Ethnographic Terminalia 2014: Washington, D.C.
The Bureau of Memories: Archives and Ephemera

Opening Reception: Friday, December 5th, 7-10 PM

Exhibition December 3rd-7th, 2014
at
Hierarchy

1847 Columbia Road, NW (Downstairs) Washington, D.C. 20009

http://www.hierarchydc.com

Ethnographic Terminalia is a curatorial collective grounded in a commitment to pushing the boundaries of anthropological scholarship and contemporary art through interdisciplinary exhibitions. Since 2009 we have been curating group exhibitions in major North American cities (Philadelphia, New Orleans, Montréal, San Francisco, New York, and Chicago). These projects demonstrate how contemporary artists, anthropologists, and institutions are engaging with ethnographic methodologies and art. The majority of the exhibitions have been mounted as ‘para-sites’ or ‘off-site installations’ to the annual meetings of the American Anthropological Association. They have facilitated and championed works that explore new media, new locations, and new methods in anthropology and cultural studies. The collective has worked with more than 110 artists and anthropologists to date, generating ongoing creative collaboration between anthropological researchers and practicing artists. Our exhibitions and the works in them have been widely reviewed and publicized in both discipline-specific journals and the popular press.

ET2014_directions

Kate Hennessy

By

August 15, 2014

Call for Submissions: Ethnographic Terminalia 2014, Washington D.C.

August 15, 2014 | By | No Comments

Submission deadline: September 5th, 2014
to ethnographicterminalia@gmail.com

We seek projects in any medium for inclusion in Ethnographic Terminalia 2014––The Bureau of Memories: Archives and Ephemera. This theme (two sides of the same coin) invites reflection on the archive and its discontents. Washington’s identity as the seat of American political power is amplified through its role as the locus of its own memorialization. Where there is history, there is haunting. By drawing on the archive’s unnerving, uncanny, and ephemeral specters, this exhibition is an effort to re-imagine and reposition archives as sites which not only have the capacity to produce and contest historical memory, but also generate significant gaps and blind spots.

Ethnographic Terminalia is an initiative that brings artists and anthropologists together to present emerging research through installation and exhibition. As a platform from which divergent modes and methodologies of inquiry are articulated, Ethnographic Terminalia asks what lies within and beyond disciplinary territories, and how those boundaries shape the representation of cultural practice. Now in its sixth year, Ethnographic Terminalia represents a diversity of material, conceptual, and creative engagements where anthropology and art intersect. Inhabiting gallery spaces and site-specific locations, these include sound, drawing, sculpture, photography, printmaking, video, film, Internet and multi- media works. Organized as a para-site and Installation project of the American Anthropological Association annual meeting, this year’s exhibition will be shown in Washington D.C. at Hierarchy, a new venue near the AAA meeting headquarters.

Submission Format and Guidelines:

Please compile the information below into one MSWord format (.docx or .doc) document (MAX 10 pages), preferably in the following order:

  • Personal contact information (email, phone, postal address)
  • Title of project
  • An artist’s or maker’s statement of project (up to 300 words)
  • A short biographical statement (100 words)
  • A technical proposal for installation of your piece and footprint with measurements (dimensions and technical requirements). Please be as specific as possible about any technologies that you will require or provide.
  • A current CV or résumé (no more than 2 pages)

Submissions should also include:

  • 3 digital images (sized 300 dpi 4”x6”) of the proposed piece
  • A link somewhere in your document to a website for video works, if applicable

Send submissions and queries directly to: ethnographicterminalia@gmail.com

Works must arrive in Washington, D.C. between November 25th and 30th, 2014. If you are unable to work with these dates, please indicate this in your proposal so that alternative arrangements can be made. Please note that preference will be given to completed works. Funding is regrettably not available to support the travel costs of artists, the development of works, shipping, or insurance.

Ethnographic Terminalia 2014—Washington, D.C.: Bureau of Memories: Archives and Ephemera will run from December 3rd-7th, 2014. There will be a reception on Friday, December 5th, 2014 at 7pm at Hierarchy and other special events TBA (schedule is subject to change).

All applicants will be notified about the status of their submission by October 1st, 2014

 

Kate Hennessy

By

June 7, 2012

Call for Submissions: Ethnographic Terminalia 2012

June 7, 2012 | By |

Ethnographic Terminalia seeks submissions for Audible Observatories, an exhibition to be held in San Francisco in November 2012. Artist-researchers, collaborators, anthropologists and other artistically inclined scholars are encouraged to submit their proposals prior to July 15, 2012.

Audible Observatories makes a playful connection between research-based art and place-bound exhibition in order to animate a curatorial vision that foregrounds audio-centric works within a broader rubric of site-specificity. We conceptualize the audible observatory as either a mobile or a stationary site of perception that is sensible to others just as it is a place from which sensing the world happens. Audible observatories are points of sensory convergence. They are nodes where worlds perceived through the senses intersect and begin the labour of transforming independent events into knowable and meaningful claims. They speak and they are spoken to.

Audible Observatories will be a distributed public event in San Francisco with an amalgam of location specific points and zones of exhibition. We are looking for research-based audio focused works to exhibit. These might include digital media, image, and sound files, websites and other interactive media, video works where audio figures prominently. Sculptural and other works will also be considered. In some cases we may be able to support installation. As in past shows, we will work with our exhibitors (if necessary) to develop installations and short statements about their work which point to larger interpretive frameworks.

This project ties in with and is supported by the meetings of the American Anthropological Association and the Society for Visual Anthropology. A round table discussion featuring Steve Feld, John Wynne, Angus Carlyle, and Rupert Cox has been organized and will be taking place during the course of this event. We also expect to be exhibiting work by these artists.

Ethnographic Terminalia is an initiative designed to celebrate borders without necessarily exalting them. Now in its fourth year of exhibition, it is meant to be a playful engagement with reflexivity and positionality; it seeks to ask what lies beyond and what lies within disciplinary territories. Ethnographic Terminalia is an exploration of what means to exhibit anthropology – particularly in some of its less traditional forms – in proximity to and conversation with contemporary art practices.

Go to the Call for Submissions Form

The terminus is the end, the boundary, and the border.
It is also a beginning, its own place, a site of experience and encounter.

Contact: ethnographicterminalia@gmail.com
http://www.ethnographicterminalia.org

Follow us to get the latest updates.

twitter facebook rss