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Call for Submissions Archives - Society for Visual Anthropology

Aynur Kadir

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April 5, 2017

SVA/Robert Lemelson Foundation Fellowship Program 2017-2018

April 5, 2017 | By | No Comments

Fellowship Details and Application Instructions

The SVA/Robert Lemelson Foundation Fellowships are designed to provide graduate students working in the field of visual and multimodal anthropology with funding to pursue exploratory research for planning their doctoral dissertation research and/or methods training to prepare for their doctoral dissertation research. Research projects supported by the funding should have the potential of advancing the field of visual anthropology. Normally, fellows receive their awards after their first or second year of graduate training as they begin to develop their dissertation research projects. We expect to award up to six fellowships in 2017 with each fellow up to an amount of $6,000 depending upon need. Of the total amount granted, up to $2,500 may be used for video/film equipment.

Eligibility:    

o   Fellowships are open to all graduate students without regard to citizenship or place of residence.

o   Applicants must be enrolled in a graduate program at the time of application and during the period of the fellowship.

o   Applicants’ proposed research must be in the field of visual anthropology, broadly defined, but they do not need to be students in departments of anthropology.

o   Applicants cannot have completed more than four years of graduate education, including all institutions that they have attended.

o   Applicants must be current members of the Society of Visual Anthropology (SVA), a section of the American Anthropological Association (AAA) as of April 25, 2017.

Details on joining the AAA and the SVA can be found at www.Americananthro.org. (Note: If the applicant is not a current member, we suggest submitting the membership application well in advance to be sure that the membership is current by the deadline.)

The funding cannot be used to collect data for the fellow’s master’s thesis or doctoral dissertation.

Fellows are prohibited from accepting the Robert Lemelson Foundation Fellowship in conjunction with any other summer or research funding for the same projector over the same time frame as the proposed research supported by the Robert Lemelson Foundation Fellowship.

All fellows are required to attend the 2017 AAA Annual Meeting to be held in Washington, D.C. (November 29-December 3, 2017).

Permissible Uses of Robert Lemelson Foundation Fellowship

Funding: Financial support can be requested to support all travel expenses, including airfare, ground transportation, and visa application fees; living expenses and housing; fieldwork expenses such as gifts for participants, translator and field assistant fees; and all other reasonable and justified expenses. Funds may not be used to pay for graduate school tuition. Budgets must include financial support up to a maximum of $600 to attend the 2017 AAA Annual Meeting to be held in Washington, D.C.

Funding cannot be used to support language training in more commonly taught languages, such as Spanish, French, and Arabic. Some funding can be used to support language instruction for languages where formal instruction is limited, but the focus of the project should be on pursuing exploratory research rather than strictly language instruction. Funding can be used for methods training, but the methods in question must be tied directly to the larger research project and it will be this project that is the focus of the selection committee’s review. Proposals for general methods or statistical training, for example, are unlikely to be funded. We expect to fund proposals between $3,000 and $6,000. You may request a larger amount than the stated limit, but it is very unlikely that an award over $6,000 will be made.

Application  components:

(1)  Application form: Download the fellowship application form from the Robert Lemelson Foundation Fellowship website,or from here.  complete the form using Adobe Acrobat or Reader, and save it with your last name in the title.

(2)  Project statement: In 750 -1,000 words (excluding references), please describe the specific research activities or training that you will carry out with support from the SVA/Robert Lemelson Foundation Fellowship. Explain in detail how you will use your time, including any preliminary data you will collect and analysis you are considering. Please specify the ways in which this preliminary research and/or methods training has the potential to make your dissertation research more successful. Please indicate whether you have ever spent time in the field site in question. If so, please indicate the length of time and experience you have there, and how this bout of research will be different from previous visits. Finally, your proposal should specifically address how your research program has the potential to advance the field of visual/multimodal anthropology. The statement should be single-spaced, and use a 12-point font and one-inch margins on all sides. Any references included should be narrowly focused, and should not exceed 300 words.

(3)  Brief curriculum vitae: In one single-spaced page, provide details on your education with dates of enrollment; any research funding, fellowships, and awards you may have received, including amounts and dates, and any academic publications and presentations you may have completed. Include details on prior employment, volunteer work, and other experience only if it is directly relevant to the proposed research. Other information, such as teaching experience, should not be included.  

(4)  Budget and budget justification: In one single-spaced page, provide a detailed and specific budget with justification for the items and amounts included. Justification should include mention of how costs were estimated. Your budget must include support up to $600 for attendance at the 2017 AAA meetings, and this amount can be listed as a single item in your budget.

(5)  Letter of recommendation: Applicants must obtain a letter written in support of their application from a faculty member familiar with their work and research aspirations. Normally, this will be the chair of the student’s graduate research advisory committee. Please provide the attached information sheet to the individual who is writing the letter. It is the applicant’s responsibility to be sure that the letter is received by the deadline. Incomplete applications will not be reviewed. Only one letter of recommendation will be accepted.

Deadline and submission details:

Deadline for application submission: 5 pm EST on Tuesday April 25, 2017

Your application should consist of only two files: (1) a PDF of the completed application form (section #1 above), and (2) a single PDF file that includes sections #2 (project statement and references), #3 (curriculum vitae), and #4 (budget and justification). Please include your last name in the name of both files. To submit your application, please email both files as an attachment to the SVA’s President, Stephanie Takaragawa (takaraga@chapman.edu) by the deadline. Applications received after this time and date will not be reviewed. We expect to contact awardees by the end of April, and hope to contact all applicants by May 1, 2017. Please contact Stephanie Takaragawa with any questions or if there are any changes to your application, such a receipt of other funding. 

2017-2018 SVA/RLF Fellowship Application Form

Aynur Kadir

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March 4, 2017

The Kenneth W. Payne Prize for outstanding anthropological scholarship by a student on a lesbian, gay, bisexual, or transgendered topic

March 4, 2017 | By | No Comments

The Kenneth W. Payne Prize

 

for outstanding anthropological scholarship

by a student on a lesbian, gay, bisexual, or trans* topic

 

call for submissions

deadline for submission: June 1, 2017

 

The Kenneth W. Payne Student Prize is presented each year by the Association for Queer Anthropology (AQA) to a graduate or undergraduate student in acknowledgment of outstanding anthropological work on 1) a lesbian, gay, bisexual or trans* topic, or 2) a critical interrogation of sexualities and genders more broadly defined. The Prize includes a cash award in the amount of $500. Submissions are encouraged from graduate or undergraduate students in any of the four fields of anthropology. To be eligible for consideration, work should have been completed since June 2016 and while the applicant was still enrolled as a student. Research papers as well as visual media (e.g. documentary film) are eligible for submission for this competition. Papers should be no longer than 40 pages, double-spaced, and typed in 11 or 12 point font; published papers or works accepted for publication will not be accepted for review. Visual media should run no longer than 60 minutes; media projects already under contract for commercial distribution will not be accepted for review.

 

THE DEADLINE FOR SUBMISSIONS IS JUNE 1, 2017. Submit an electronic copy of the print submission as a Word (*.doc) or RTF (rich text format or *.rtf) attachment to payne.prize@gmail.com on or before the indicated deadline. Visual media projects should be available for download from an accessible website; send an email to payne.prize@gmail.com identifying the visual media project and indicating its accessibility. In either case, include with your email message a statement showing your intent to enter the 2017 Kenneth W. Payne Prize competition, and a 100-200 word abstract. Include your name, address, department and university, telephone number, and email address in the body of the email; in addition, indicate the stage of your graduate or undergraduate work at the time the submission was developed. You will receive a confirmation email that your submission has been received within a week of its receipt. Please only send duplicate copies or emails if you have not received a response after two weeks.

 

The committee intends to organize a roundtable from outstanding Payne Prize submissions at the 2017 annual meetings of the American Anthropological Association. Submissions will be judged according to the following criteria: use of relevant L/G/B/T/Q and/or feminist anthropological theory and literature, potential for contribution to and advancement of L/G/B/T/Q studies and our understanding of sexualities worldwide, attention to difference (such as gender, class, race, ethnicity, nation), originality, organization and coherence, and timeliness. The award will be presented to the winner at the AQA Business meeting during the annual meetings of the American Anthropological Association (Washington, DC) November 29 – December 3, 2017.

Members of the 2017 Payne Prize Committee: Brooke Bocast (University of the Witswatersrand), Michael Connors Jackman (Memorial University of Newfoundland), Tayo Jolaosho (University of South Florida – 2017 Payne Prize Committee chair), Richard J. Martin (Harvard University) and Shaka McGlotten (Purchase College-SUNY).

Kate Hennessy

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March 3, 2017

2017 SVA Film and Media Festival Call for Submissions

March 3, 2017 | By | 2 Comments

The Society for Visual Anthropology’s Film & Media Festival screens work by students, professional anthropologists, and professional filmmakers at the American Anthropological Association’s annual conference.

The Festival jury, comprised of anthropologists and film scholars, selects work to be included in the Festival on the basis of anthropological relevance and value to the field. Low budget and shorter works receive as careful attention as high budget or longer works. The SVA may bestow a number of awards each year, including the Festival’s highest recognition, the Joan S. Williams Award of Excellence, named for the Festival’s longtime organizer who retired in 2006. An award for Best Student Work is awarded annually and the Jean Rouch Award may be given for collaborative and participatory work.

If you wish to submit a production please visit: SVA on FilmFreeway

For more information, please contact:
SVAFilmFestival@gmail.com

2017 Festival Co-Directors:
Kathryn Ramey (kathryn_ramey@emerson.edu)
Ulla D. Berg (uberg@rci.rutgers.edu)

Jerome

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February 15, 2017

The John Collier Jr. Award for Still Photography

February 15, 2017 | By | No Comments

2017 CALL FOR SUBMISSIONS FOR THE JOHN COLLIER JR AWARD FOR VISUAL EXCELLENCE IN THE USE OF STILL PHOTOGRAPHY

The John Collier Jr. Award for Still Photography is awarded periodically by the Collier award committee members of the Society for Visual Anthropology (SVA) to an author or photographer whose publication, exhibit, website, or other multimedia production exemplifies the use of still photographs (both historical and contemporary) for research and communication of anthropological knowledge.  The submission must have a strong visual research perspective accompanied by high quality photographs, both technically and aesthetically and be within five years of the original publication date.

Rules for Submissions: The project must be nominated by a current member of the American Anthropology Association.   A complete submission packet consists of:

  1. A letter of nomination from the AAA member covering why the work deserves the award, as well as the name, book title or exhibit, website or multimedia production, publisher, author’s mailing address, phone and email.
  1. A letter of consent from the work’s author.
  1. Four copies of the work (if a physical copy exists). These copies should be requested by the author from the publisher to be sent directly to the committee.

Completed submission materials must be received by the deadline listed below.

Submissions cannot be nominated directly from the publisher but the copies of the work may be sent directly from the publisher to the committee. Collections of writings by multiple authors will not be considered.

The same work may be submitted a maximum of two times. The SVA Collier Award board appointed committee then reviews the submitted works to decide on its merits. Winners are announced during the SVA/AAA meetings and presented with a John Collier Jr. or Mary Collier print, courtesy of the Collier Family Collection, a certificate of recognition and award recognition stickers to place on the work.

Submissions for 2017 should be mailed to:

The Collier Committee c/o Andrea Heckman, Chairperson, P. O. Box 714, Taos Ski Valley, NM 87525.

Deadlines for 2017 Submission and Award Notification:

  • April 15:  Deadline for receipt of nomination materials and submission to SVA.
  • July 31: Committee decision will be submitted to SVA President and Secretary.
  • August 10: Award information submitted to AAA program committee.
Kate Hennessy

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December 22, 2016

Announcing Writing with Light – an anthropological photo-essay initiative

December 22, 2016 | By | No Comments

Writing with Light is an initiative to bolster the place of the photo-essay—and, by extension, formal experimentation—within international anthropological scholarship. As a collaboration between two journals published by the American Anthropological Association (AAA), Cultural Anthropology and Visual Anthropology ReviewWriting with Light is led by an editorial/curatorial collective that aims to address urgent and important concerns about the sustained prominence of multimodal scholarship and how that changes what anthropologists can and should see as productive knowledge. This initiative addresses as a central concern the development of appropriate criteria for evaluating these forms of multimodal scholarship. By focusing on the singular form of the photo-essay, we aim to interrogate the synergistic combination of images and words, while also considering the photo-essay’s narrative affordances and its capacity to go beyond storytelling. In sum, we believe that focused attention on the photo-essay might help us to rethink a broader array of anthropological questions regarding issues of mediation, representation, methodology, etc. and and potentially shift how anthropologists conceive of the discipline itself

For submission guidelines, please visit: https://culanth.org/photo_essays
Aynur Kadir

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November 27, 2016

InDigital Latin America Conference II

November 27, 2016 | By | No Comments

March 16-18, 2017 Save the Date

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InDigital Latin America Conference II

                                                                      Media as Witness: photograph by Krakrax Kayapó, 2015.

Location: Vanderbilt University Campus, Nashville TN.

Co-Sponsored by Vanderbilt University and Middle Tennessee State University

 

Indigenous Engagement with Digital and Electronic Media

The study of Indigenous media is a relatively new and rapidly expanding field combining innovative research in anthropology with theoretical perspectives from media studies. Currently the field is evolving at such a “dizzying” rate that it is nearly impossible to keep track of all the innovations, novel applications, and sociocultural impacts transpiring. We invite researchers and media makers to join us to share and discuss these rapid changes in Indigenous media with a focus on Latin America.

 

Call for Abstracts

untitled0000We are interested in a variety of topics and approaches (ranging from viewer/user agency to media effects), including, but not limited to how different groups may engage and be impacted by media as they:

 

  • Watch, interpret, or create television messages
  • Fashion, comprehend, and interact with radio texts
  • Construct and view their own cultural representations on film and upload them to the Internet
  • Build websites to archive culture materials
  • Construct social networks in cyberspace among themselves and other groups
  • Utilize cell phones to not only communicate but also film in culturally appropriate manners
  • Preserve disappearing languages
  • Encourage intergenerational dialog and cultural transmission
  • Record events for political leverage
  • Explore new marketing or consumption opportunities
  • Are simply expressive and creative in conceptualization of cultural identity through media

 

Keynote Speaker: Amalia Córdova (Smithsonian National Museum of the American Indian’s Film and Video Center and New York University’s Center for Latin American and Caribbean Studies)

Conference discussants: Elizabeth Weatherford (Smithsonian) and Faye Ginsburg (NYU)

 

We welcome presentations on:

     Institutional analysis of Indigenous media (e.g. the evolution of traditional and new spaces and platforms for expression of Indigenous concerns, the impact of transnational networking with other Indigenous and non-Indigenous peoples);

 

     Textual analysis (e.g. content analysis of themes, genres, representations, as well as current thinking on authenticity of Indigenous media in terms of hybridity and indigeneity); and

 

     Audience/reception studies (e.g. the dynamics of media engagement and consumption in local communities in terms of technological constraints, issues of ownership and access, signification of technology as material object and communication modality, displacement of public activities, creation of new habits of spectatorship, and impact upon worldviews).

 

 

Several special sessions are planned to:

Showcase Indigenous films (screenings by Kayapó filmmakers and others)

Explore the emergence of hybrid music forms (including performances of Kaya-pop and Mayan hip-hop)

Commemorate the contributions of the late Terence Turner to Indigenous Media

Explore the emergence of a Pan-American Indigenous media exchange (the Inuit-Latin American connection).

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Kiabieti Kayapó (left) and Terence Turner (right)

at InDigital Latin America I, 2015

 

Registration and Transportation/Lodging information may be found on the conference website.

my.vanderbilt.edu/indigitalconference2017

 

For more information, please contact Richard Pace

richard.pace@mtsu.edu

 

Aynur Kadir

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October 13, 2016

Workshop Announcement and Call for Participants

October 13, 2016 | By | No Comments

A PITCH SESSION FOR ETHNOGRAPHIC FILMMAKERS: DEVELOPING YOUR STORY, INTEGRATING YOUR RESEARCH, FINDING FUNDING AND DISTRIBUTION   (3-0700)

Workshops

Thursday, November 17

1:00 PM – 5:00 PM

 Are you currently working on a film? Are you interested in getting feedback?
Are you interested in ethnographic film production but not yet ready to share a project in progress?
 Please join us at the AAA for a new Society for Visual Anthropology workshop:

This workshop uses the pitch format of documentary film festivals in which filmmakers pitch their work-in-progress to a jury of funders, distributors and award winning filmmakers. For each film presented, the jury will provide feedback including strategies for visualizing anthropological content and suggestions for developing your narrative and structure. Other discussion topics include conceptualizing your audience, and opportunities and strategies for funding and distribution.

Pre- Selected filmmakers will give a10 minute presentation of their project, that includes a description of the story, themes, research, visual style, plans for completion and a short video sample. Our workshop format is intended to encourage lively discussion between jurors, other workshop participants and the presenting filmmakers. Discussion will address both the effectiveness of the pitch and the substance of the film project. Jury and audience awards. The goals of the workshop:

  1. To model how to present a film project to potential collaborators, funders & distributors.
  2. To provide concrete strategies for turning research into visually compelling stories.
  3. To direct participants to funding and distribution opportunities.

Pitch jurors include:

Camilla Nielsson, Filmmaker/Anthropologist, Director, DEMOCRATS

Sarah Elder, Director, DRUMS OF WINTER: UKSUUM CAUYAI, SVA Film Festival Juror, Prof. of Documentary Film, SUNY Buffalo

Alice Apley, Executive Director, Documentary Educational Resources (DER)

Following the Pitch session, Leslie Aiello, from the Wenner-Gren Foundation will make a brief presentation about the Fejos Ethnographic Film Fellowship.

Two ways to participate in this workshop

PITCH YOUR PROJECT: Whether your project is in development, production, or in rough cut stage, this is an opportunity to get feedback on your work-in-progress from a jury with expertise in anthropological filmmaking, funding and distribution. Seven filmmakers (or filmmaking teams) will be selected to pitch projects. Those interested in presenting their film project should send a brief Pitch Proposal (see below) to Alice Apley (alice@der.org) by OCTOBER 21, 2016. The organizers will select a mix of experienced  to first-time filmmakers.

NONPITCHING WORKSHOP PARTICIPANTS: As a workshop participant, you can observe the pitches,join the discussion about the projects in progress, learn from the pitches, get ideas, and plan for a future visual project.

Pitch Proposal – If you are interested in pitching, send a one-page description of your project and a video sample. It should include:

  • Short synopsis describing the significance of the project, brief discussion of the issues, themes and story you will explore, and the visual style of the film (e.g. observational, experimental documentary etc).
  • Your bio, including your unique qualifications for completing this project successfully, such as knowledge, skills, access or history of involvement with the characters and/or subject matter.
  • Please also include a short status report describing where you are in the research, development and/or production process, what work has been completed and a brief timeline.
  • Production-related photo (optional).

Also send a trailer, teaser, or clips via a single streamable link of film footage or visuals (still or moving). (7 minutes maximum)

For questions, email Alice Apley, alice@der.org or Sarah Elder, selder@buffalo.edu

Kate Hennessy

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August 14, 2016

Funded Fellowships, Filmmakers Without Borders

August 14, 2016 | By | No Comments

FILMMAKERS WITHOUT BORDERS is offering fully-funded Fellowships for visual anthropology work in Bhutan.

FILMMAKERS WITHOUT BORDERS is a 501c3 nonprofit organization that provides fully-funded overseas fellowships to filmmakers/art educators to teach filmmaking, media literacy, and technology to underserved students in Africa, Asia, & Latin America.

– Live and teach in Thimphu, Bhutan for 10-12 months
– Teach filmmaking, media literacy, & 21st century technology skills to students for ~25 hours/week
– Shoot/edit x10+ video vignettes
– Shoot/edit x2 short film projects

– Flights provided
– Housing provided
– Food provided
– Equipment provided

– Other Fellowships: Bangladesh, Cambodia, Honduras, India, Morocco, Navajo Nation, Nepal, Tanzania, Thailand

Apply at developingfilmmakers.org by September 15th.

 

Kate Hennessy

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July 22, 2016

Call for Projectionists, SVA Film Festival, 2016

July 22, 2016 | By | No Comments

Dear colleagues,

We are looking for three graduate students, undergraduates, or filmmakers to work as projectionists at the 2016 Society for Visual Anthropology’s Film and Media Festival as part of the upcoming AAA meetings in Minneapolis, Minnesota. The position involves about 10 hours of work projecting an amazing line-up of films. We need people who are technologically savvy and highly responsible. This is a paid position and, in addition, the projectionists will get a AAA registration waiver.

If interested, send a note of interest and a CV to Kathryn Ramey at Kathryn_Ramey@emerson.edu<mailto:Kathryn_Ramey@emerson.edu>

Best regards,
Kathryn Ramey and Ulla D. Berg
Co-Directors, 2016 SVA Film and Media Festival

Kate Hennessy

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July 21, 2016

Deadline Friday July 22, 2016 — AAA Meeting Logo Design Competition

July 21, 2016 | By | No Comments

Overview

The 116th Annual Meeting of the American Anthropological Association will be held in Washington, D.C. with the theme of Anthropology Matters! Every year the association develops a logo which represents the annual meeting location and/or theme. This year we are looking for your input! We want to see your visual interpretation of the theme.  The winner will work with a committee and a professional designer to produce the final logo.

Eligibility

Contestants are permitted to work in groups, but their entry will be considered as one and will be eligible to win a single prize.

Guidelines

  • Your logo concept should be reflective of the 2017 conference destination, Washington, D.C. and/or the theme for the conference.
  • Your logo concept should not include references, symbols, or messages that may be deemed offensive, discriminatory, or inappropriate.
  • Your logo should include the name of the meeting “116th Annual Meeting of the AAA”, the location “Washington, D.C.,” and the date “November 29 – December 3, 2017.”

Download the official entry form with full guidelines here. 

Selection & Prize

  • A panel comprised of members of the Program Committee, will select one (1) winning entry, and their decision will be final. The winner will be notified by email and announced on the AAA website and social media platforms. The panel reserves the right to declare the contest deserted, to cancel it, or to disqualify any entry that does not conform to the guidelines.
  • Submissions should be made electronically to aaameetings@americananthro.org, including the entry form, and the logo concept in the format described above, as attachments with subject line <Logo Contest 2016>. The deadline to submit entries is July 22, 2016 at midnight Eastern Standard Time (-5 GMT), and decisions will be made by July 31, 2016.
  • Submissions will be judged on their visual appeal, their adherence to the concept and themes outlined above, quality of design, creativity, and ease of reproduction and manipulation.
  • The prize for the winning entry will include:
    • Special recognition during the conference and on the AAA website.
    • One complimentary registration to the 2017 Annual Meeting (up to $444 in value).
    • Four night stay at the conference hotel during the 2017 Annual Meeting (up to $1,300 value).
    • Prizes can are not exchangeable or transferable to other dates, or people and have no cash value.
  • Any queries should be addressed to: aaameetings@americananthro.org.

Timeline

  • June 22 – Logo Contest Launches
  • July 22 – Logo Contest Entries are due
  • July 18-July31 – Committee reviews and selects 2017 LOGO
  • July 25-September 2 – Logo winner works with staff and designer to produce 3 versions of the logo (icon, medium and full size), 3 colors versions (two color, full color, and gray scale) and different formats (.EPS, .JPG, and .PNG)
  • Mid-September –  Logo and theme revealed

 

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