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Call for Submissions Archives - Society for Visual Anthropology

Aynur Kadir

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October 23, 2014

Digital Image Exhibit at the 2014 AAA in DC

October 23, 2014 | By | No Comments

Digital Image Exhibit at the 2014 AAA in DC

We are pleased to announce the Digital Image Exhibit for the 2014 AAA Media Festival. The Digital Image Exhibit will be run as a looping display at the upcoming meetings in DC, and later hosted on the Society for Visual Anthropology’s website.

Conference participants may submit up to two (and only two) images for consideration in this year’s exhibit. (Note: submissions with more than two images will not be considered.) If you would like to submit your images, please follow the directions below.

Please format your photographs as computer/projection quality 5×7 or 7×5 (@96dpi) JPEG files. Email all images for consideration to digixAAA@gmail.com by November 15th at the very latest. In the body of the email, for each image please supply:

  • A short title
  • The date and location of the image
  • The name of the photographer (i.e. confirm that you are the photographer or that you have use rights for the image)
  • A brief caption (50 words max!) and any pertinent publication information
  • IF the image is related to a presentation at the meeting (please include the day & time)
Aynur Kadir

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October 16, 2014

Urban Photo Fest Masterclass, Summer School Seminar and Urban Walks

October 16, 2014 | By | No Comments


Urban Photo Fest

24-28 October 2014

urbanphotofest.org

The Festival

Urban Photo Fest has evolved through a number of conversations, research initiatives and exhibitions involving a wide range of partners and contributors from the areas of visual arts, film and photography, education, urban research and the social sciences. Originally, the festival started out as a series of annual Urban Encounters symposia held at Tate Britain. Eventually, these symposia developed into a series of well-attended workshops, walks, exhibitions and portfolio reviews. People seemed to be enjoying these conversations, and noticeable, they kept coming back for more.

In addition to the main conference at Tate Britain, we are offering a series of walks on the conference weekend Sunday, where participants will be encouraged to think about and experience movement and flow through a variety of urban spaces. And of course, there are the exhibitions with Habitus (graduates from the International MA in Photography and Urban Cultures at Goldsmiths, University of London) at the Menier Gallery, Movement (Association of Urban Photographers) at the Silver Print Gallery, and Close to Nowhere (a selection of images from a ten year project focusing on global cities) at the Greenwich Gallery.

Which brings us to this year’s festival theme of Movement, Mobilities and Migrations. These words mean different things to urbanists, photographers and artists; and that is what we want to encourage people to explore throughout the festival events. Hopefully, people will also take this opportunity to experience their own collective and private migrations around London over the five days, to attend the conference, workshop and seminar; go on walks, visit exhibitions and book onto the masterclass. Most importantly, the festival encourages debate about the nature of contemporary photography, and the possibility to network with others interested in this increasingly vital area of visual and urban practice.

Masterclass with Peter Marlow

 

About the photographer

Urban Photo Fest is pleased to announce this year’s masterclass will be presented by international photographer Peter Marlow, former president of Magnum Photos. Peter’s work focuses on apparently incidental scenes that speak of social relations. His images have a compelling poetic quality and address notions of stasis, movement and change.

 

About the Masterclass

Following an initial presentation of his work and discussion of related theoretical and technical issues, participants will introduce their images. The Masterclass will focus on how to build a visual story and participants will be given a working brief based on the themes discussed, and then work on producing a number of images to bring back to the group for feedback and critique.

 

What you will need

In order to participate you will need to submit a short description of the visual story that you intend to develop during the Masterclass along with a portfolio (up to 10 images)

 

Due to the duration of the course participants are advised to produce and edit their work digitally. The images will need to be edited and put into a Power Point format for next day feedback.

 

Date 27 & 28 October

Time 9.30 – 12.30

Venue Goldsmiths, University of London

Cost £175 Reduced fee: £150 (Students, LIP Members, iupss Alumni)

Places 12

Info and booking: b.v.argueta@gold.ac.uk

 

 

http://www.urbanphotofest.org/masterclass

Masterclass | Urban Photo Fest

Urban Photo Fest is pleased to announce this year’s masterclass will be presented by international photographer Peter Marlow

Read more…

Summer School Seminar ( Tuesday 28th Oct, 2pm)

This is the 5th anniversary of the international Urban Photography Summer School (iUPSS). On this occasion, and as part of the Urban Photo Fest program, the Summer School Seminar offers the opportunity to iUPSS Alumni to gather together and share their current work. The session will be based on short presentations followed by discussions and comments on each project. If you are interested in sharing your work please submit a short description of your intended presentation to b.v.argueta@gold.ac.uk.
The session is open to all iupss alumni and to the general public.
 

http://www.urbanphotofest.org/workshops

Workshops & Seminars | Urban Photo Fest

Urban Photo Fest is pleased to announce this year’s masterclass will be presented by international photographer Peter Marlow

Read more…

http://www.urbanphotofest.org/urban-walks

Urban Walks | Urban Photo Fest

Urban Photo Fest is pleased to announce this year’s masterclass will be presented by international photographer Peter Marlow

Read more…

 

Kate Hennessy

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August 15, 2014

Call for Submissions: Ethnographic Terminalia 2014, Washington D.C.

August 15, 2014 | By | No Comments

Submission deadline: September 5th, 2014
to ethnographicterminalia@gmail.com

We seek projects in any medium for inclusion in Ethnographic Terminalia 2014––The Bureau of Memories: Archives and Ephemera. This theme (two sides of the same coin) invites reflection on the archive and its discontents. Washington’s identity as the seat of American political power is amplified through its role as the locus of its own memorialization. Where there is history, there is haunting. By drawing on the archive’s unnerving, uncanny, and ephemeral specters, this exhibition is an effort to re-imagine and reposition archives as sites which not only have the capacity to produce and contest historical memory, but also generate significant gaps and blind spots.

Ethnographic Terminalia is an initiative that brings artists and anthropologists together to present emerging research through installation and exhibition. As a platform from which divergent modes and methodologies of inquiry are articulated, Ethnographic Terminalia asks what lies within and beyond disciplinary territories, and how those boundaries shape the representation of cultural practice. Now in its sixth year, Ethnographic Terminalia represents a diversity of material, conceptual, and creative engagements where anthropology and art intersect. Inhabiting gallery spaces and site-specific locations, these include sound, drawing, sculpture, photography, printmaking, video, film, Internet and multi- media works. Organized as a para-site and Installation project of the American Anthropological Association annual meeting, this year’s exhibition will be shown in Washington D.C. at Hierarchy, a new venue near the AAA meeting headquarters.

Submission Format and Guidelines:

Please compile the information below into one MSWord format (.docx or .doc) document (MAX 10 pages), preferably in the following order:

  • Personal contact information (email, phone, postal address)
  • Title of project
  • An artist’s or maker’s statement of project (up to 300 words)
  • A short biographical statement (100 words)
  • A technical proposal for installation of your piece and footprint with measurements (dimensions and technical requirements). Please be as specific as possible about any technologies that you will require or provide.
  • A current CV or résumé (no more than 2 pages)

Submissions should also include:

  • 3 digital images (sized 300 dpi 4”x6”) of the proposed piece
  • A link somewhere in your document to a website for video works, if applicable

Send submissions and queries directly to: ethnographicterminalia@gmail.com

Works must arrive in Washington, D.C. between November 25th and 30th, 2014. If you are unable to work with these dates, please indicate this in your proposal so that alternative arrangements can be made. Please note that preference will be given to completed works. Funding is regrettably not available to support the travel costs of artists, the development of works, shipping, or insurance.

Ethnographic Terminalia 2014—Washington, D.C.: Bureau of Memories: Archives and Ephemera will run from December 3rd-7th, 2014. There will be a reception on Friday, December 5th, 2014 at 7pm at Hierarchy and other special events TBA (schedule is subject to change).

All applicants will be notified about the status of their submission by October 1st, 2014

 

Sara Perry

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June 30, 2014

Announcing the Heritage Jam!

June 30, 2014 | By | No Comments

The Heritage Jam, 11 July 2014Are you concerned with the way the past is presented? Have you ever worked with (or wished you could work with) art, photos, video, diagrams, websites or other forms of graphic and performance pieces in the context of interpreting the archaeological and heritage records? Are you interested to innovate with the visualisation of history and prehistory?

If so, we invite your participation in The Heritage Jam (http://www.heritagejam.org), a collaborative global event in heritage visualisation, taking place both online and in-person on the 11th of July 2014 at the University of York (York, UK).

The Heritage Jam is an interdisciplinary visualisation showcase and competition, open to artists, historians, animators, designers, programmers, archaeologists, conservators, museums professionals, heritage practitioners, students and other interested specialists and members of the public. We aim to join people together – either in groups or independently – to experiment with the creation of new, forward-thinking visualisations of the past. Ultimately we seek to foster partnerships, friendships and creative links that push on the boundaries of heritage interpretation, injecting new ideas into the field and growing the heritage industry overall.

No experience is necessary – we welcome registration from anyone with any degree of interest in imagery, art, interpretation, history and archaeology. We take inspiration from jamming events commonly held in the games industry, where ad-hoc groups meet for short, intensive periods of time to produce prototypes around a specific theme. This year’s Jam theme centres on the visualisation of burials and burial spaces in archaeology and heritage contexts.

This is a chance to work with new materials, forms, techniques, ideas; a unique opportunity to develop your creative and technical skills, and to drive forward larger appreciation of how visualisation both animates the past and creates possibilities in the present and future.

Registration is open to all. Participation in person on 11 July includes a £10 fee for refreshments, lunch and access to facilities. Remote participation is free.

To find out about the ways you can take part, on entry and prizes, and to read content on how to Jam, see our webpages at: http://www.heritagejam.org

You can also like and follow us on Facebook (https://www.facebook.com/heritagejam) and Twitter (https://twitter.com/HeritageJam/), for updates and sneak-previews!

Kate Hennessy

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June 23, 2014

Call for Films: Xenophobia and the Ethnographic Film

June 23, 2014 | By | No Comments

The Athens Ethnographic Film Festival  is introducing a new themed-screenings section, which will be showcasing ethnographic films focused on particular social issues. This year’s theme is “xenophobia”. As we consider issues of racist violence, aggressive expressions of nationalism and social exclusion to be of pressing relevance for the Athenian society today, we have decided to launch the themed section of the festival with a selection of ethnographic films that deal with such issues.

We are inviting submissions for films made by/ in collaboration with anthropologists (or other social scientists), which deal with one or more of the following issues: xenophobia; racism; racist hatred/violence; (religious/ ethnic) intolerance; social exclusion; discrimination; nationalism; euro-centrism.

The deadline is for submissions is July 28th. Please circulate and contact us for any queries or suggestions at : info@ethnofest.gr<mailto:info@ethnofest.gr> (stating ‘xenophobia section’ in the subject)

Follow this link to find out more and submit your film, or see the attached call.

The curators,
Dafni Sofianopoulou and Christos Varvantakis
for the Athens Ethnographic Film Festival
ethnofest.gr<http://ethnofest.gr>
info@ethnofest.gr <mailto:info@ethnofest.gr>
http://facebook.com/athens.ethnographic.film.festival

PLEASE NOTE: It is the intention of the festival organizers to invite as many filmmakers as possible in order to present and discuss their films with the audience, as well as to organize a workshop on the issue of Xenophobia/Racism and ethnographic film. These plans, however, are subject to the festival’s final budget restrictions.

Kate Hennessy

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June 14, 2014

Call for Abstracts: ‘Sensual Landscapes of Ethnography’

June 14, 2014 | By | No Comments

The International Contemporary Ethnography Across the Disciplines Hui 2014
‘Sensual Landscapes of Ethnography’

26 – 28 November 2014
Special interest day with pre conference workshops, and papers in Spanish and Portuguese on 25 November 2014
www.cead.org.nz

Call for Abstracts OPEN
Deadline 30 June 2014

Researchers and practitioners from across the disciplines of performance and arts, law, anthropology, education, geography, health, management, business, psychology, sociology, cultural, and ethnic and gender studies – and any other discipline where ethnography advances scholarship and public understanding of the way groups and individuals interact and live their lives into being – are invited to submit papers, posters, creative research sessions, and pre-set thematic sessions. There are three major content strands of themes for the CEAD hui:

  • Emerging Methods: Traditional, Experimental, Transgressive Forms
  • Praxis and Advocacy: Doing Ethnography on the Ground
  • Social Justice and Transformation: Theoretical Ethnographic Visions

Contemporary Ethnography Across the Disciplines (CEAD)
25 – 28 Nov 2014
University of Waikato, Hamilton, NZ
www.cead.ord.nz
www.flowevents.co.nz

Kate Hennessy

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March 31, 2014

International Urban Photography Summer School, 2014

March 31, 2014 | By | No Comments

International Urban Photography Summer School, 2014
Goldsmiths, University of London

Designed for photographers, artists and ethnographers whose work addresses notions of urban space and culture, the international Urban Photography Summer School provides a highly intensive two-week practical and theoretical training in key aspects of urban visual practice. The course aims to offer participants a wide range of relevant skills resulting in the production of a photography portfolio drawn from London’s urban environments along with a collective final exhibition.

The programme has been developed in collaboration with the Centre for Urban and Community Research (CUCR), Urban Photo Fest and the international Association of Visual Urbanists (iAVU). The course will be taught by tutors from Goldsmiths’ Sociology Department and the international MA in Photography and Urban Cultures. The programme draws on the advanced theoretical, research and practical image-making specialisms of key practitioners in the field.

Summer School tutors include: Paul Halliday (MA in Photography and Urban Cultures Convener), Beatriz Véliz Argueta (Coordinator/ Goldsmiths), Les Back (Goldsmiths), Caroline Knowles (Goldsmiths), Mandy Lee Jandrell (Southampton Solent University/ Goldsmiths), Peter Coles (Oxford/ Goldsmiths), Alex-Rhys Taylor (Goldsmiths), Manuel Vázquez (Goldsmiths), Laura Cuch (Goldsmiths) and Jasmine Cheng (Goldsmiths).

The programme will explore how the practice of urban image-making informs the development of a reflexive and critical research perspective and will include assignments and guided fieldtrips focusing on (1) landscape, (2) material objects and street photography and (3) portraiture.

Application deadline: June 30th

For more information: www.iupss.com

 

For more information: www.gold.ac.uk/cucr/summer-school/

Kate Hennessy

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March 31, 2014

The First Ethnographic Film and Media Program of the Middle East and Central Eurasia

March 31, 2014 | By | No Comments

The First Ethnographic Film and Media Program of the Middle East and Central Eurasia

-Venue: Tallinn University, Estonia, 31 July and 3 August 2014.
-Date: 31 July and 3 August 2014
-Deadline: 30 April 2014

We are pleased to announce the first Ethnographic Film and Media Program of the Middle East and Central Eurasia, which will be held annually in conjunction with the Anthropology of the Middle East and Central Eurasia Network of the European Association of Social Anthropologists (EASA).
http://www.easaonline.org/networks/amce/index.shtml

The goal of our program is to promote original ethnographic films and visual media not only in the area of anthropology but also in sociology, folklore, religion, material culture and related topics. Our program encompasses all areas of the contemporary Middle East and Central Eurasia (Russia, the Caucasus, Central Asia, China), including topics on minority groups and religious themes.

Our first program will be held during the 13th EASA Biennial Conference, at Tallinn University, Estonia, between 31 July and 3 August 2014. We invite and encourage all students, anthropologists, documentary filmmakers and media artists to participate in our program by submitting ethnographic videos, films (including online and cell phone styles, short and feature-length films) as well as interactive media (websites, hyperlinked documents, etc.).twitter

Read More

Kate Hennessy

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March 6, 2014

CFP for Annual Meeting of the American Anthropological Association 2014: December 3-7, Washington, D.C. Meeting Theme: Producing Anthropology

March 6, 2014 | By |

Panel Organizers: Chelsea Wentworth (University of Pittsburgh) and Lisa Garibaldi (UC Riverside)

Title: Employing Visual and Digital Methods to Produce an Enhanced Anthropology of Child Feeding

This panel investigates the use of visual methods in researching childhood dietary practices. Drawing on the recent resurgence of interest in the experience of childhood and the expansion of visual methodologies, these papers will contribute to our understanding of the practice of child feeding. The intersect of visual methods as instruments of data collection and the study of child feeding provides greater insight into our understandings of how children access food, children’s food preferences, and the decision-making processes of caregivers as they feed children. We operationalize child feeding as any interaction that a caregiver or the child has in making food choices, and consuming food. Much research on child feeding practice has relied on heavily quantitative measures that examine nutritional value of foods and child growth (see Birch et al. 2003, Pelto et al. 2010). However, we argue that our understandings of the practice of child feeding are greatly advanced through the use of visual methods. Read More

Kate Hennessy

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February 28, 2014

2014 SVA Film and Media Festival Call for Entries

February 28, 2014 | By |

Call for Entries

Early Deadline: March 15
Regular Deadline: April 15
Late Deadline:  May 1

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