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Call for Submissions Archives - Society for Visual Anthropology

Aynur Kadir

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November 27, 2016

InDigital Latin America Conference II

November 27, 2016 | By | No Comments

March 16-18, 2017 Save the Date

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InDigital Latin America Conference II

                                                                      Media as Witness: photograph by Krakrax Kayapó, 2015.

Location: Vanderbilt University Campus, Nashville TN.

Co-Sponsored by Vanderbilt University and Middle Tennessee State University

 

Indigenous Engagement with Digital and Electronic Media

The study of Indigenous media is a relatively new and rapidly expanding field combining innovative research in anthropology with theoretical perspectives from media studies. Currently the field is evolving at such a “dizzying” rate that it is nearly impossible to keep track of all the innovations, novel applications, and sociocultural impacts transpiring. We invite researchers and media makers to join us to share and discuss these rapid changes in Indigenous media with a focus on Latin America.

 

Call for Abstracts

untitled0000We are interested in a variety of topics and approaches (ranging from viewer/user agency to media effects), including, but not limited to how different groups may engage and be impacted by media as they:

 

  • Watch, interpret, or create television messages
  • Fashion, comprehend, and interact with radio texts
  • Construct and view their own cultural representations on film and upload them to the Internet
  • Build websites to archive culture materials
  • Construct social networks in cyberspace among themselves and other groups
  • Utilize cell phones to not only communicate but also film in culturally appropriate manners
  • Preserve disappearing languages
  • Encourage intergenerational dialog and cultural transmission
  • Record events for political leverage
  • Explore new marketing or consumption opportunities
  • Are simply expressive and creative in conceptualization of cultural identity through media

 

Keynote Speaker: Amalia Córdova (Smithsonian National Museum of the American Indian’s Film and Video Center and New York University’s Center for Latin American and Caribbean Studies)

Conference discussants: Elizabeth Weatherford (Smithsonian) and Faye Ginsburg (NYU)

 

We welcome presentations on:

     Institutional analysis of Indigenous media (e.g. the evolution of traditional and new spaces and platforms for expression of Indigenous concerns, the impact of transnational networking with other Indigenous and non-Indigenous peoples);

 

     Textual analysis (e.g. content analysis of themes, genres, representations, as well as current thinking on authenticity of Indigenous media in terms of hybridity and indigeneity); and

 

     Audience/reception studies (e.g. the dynamics of media engagement and consumption in local communities in terms of technological constraints, issues of ownership and access, signification of technology as material object and communication modality, displacement of public activities, creation of new habits of spectatorship, and impact upon worldviews).

 

 

Several special sessions are planned to:

Showcase Indigenous films (screenings by Kayapó filmmakers and others)

Explore the emergence of hybrid music forms (including performances of Kaya-pop and Mayan hip-hop)

Commemorate the contributions of the late Terence Turner to Indigenous Media

Explore the emergence of a Pan-American Indigenous media exchange (the Inuit-Latin American connection).

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Kiabieti Kayapó (left) and Terence Turner (right)

at InDigital Latin America I, 2015

 

Registration and Transportation/Lodging information may be found on the conference website.

my.vanderbilt.edu/indigitalconference2017

 

For more information, please contact Richard Pace

richard.pace@mtsu.edu

 

Aynur Kadir

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October 13, 2016

Workshop Announcement and Call for Participants

October 13, 2016 | By | No Comments

A PITCH SESSION FOR ETHNOGRAPHIC FILMMAKERS: DEVELOPING YOUR STORY, INTEGRATING YOUR RESEARCH, FINDING FUNDING AND DISTRIBUTION   (3-0700)

Workshops

Thursday, November 17

1:00 PM – 5:00 PM

 Are you currently working on a film? Are you interested in getting feedback?
Are you interested in ethnographic film production but not yet ready to share a project in progress?
 Please join us at the AAA for a new Society for Visual Anthropology workshop:

This workshop uses the pitch format of documentary film festivals in which filmmakers pitch their work-in-progress to a jury of funders, distributors and award winning filmmakers. For each film presented, the jury will provide feedback including strategies for visualizing anthropological content and suggestions for developing your narrative and structure. Other discussion topics include conceptualizing your audience, and opportunities and strategies for funding and distribution.

Pre- Selected filmmakers will give a10 minute presentation of their project, that includes a description of the story, themes, research, visual style, plans for completion and a short video sample. Our workshop format is intended to encourage lively discussion between jurors, other workshop participants and the presenting filmmakers. Discussion will address both the effectiveness of the pitch and the substance of the film project. Jury and audience awards. The goals of the workshop:

  1. To model how to present a film project to potential collaborators, funders & distributors.
  2. To provide concrete strategies for turning research into visually compelling stories.
  3. To direct participants to funding and distribution opportunities.

Pitch jurors include:

Camilla Nielsson, Filmmaker/Anthropologist, Director, DEMOCRATS

Sarah Elder, Director, DRUMS OF WINTER: UKSUUM CAUYAI, SVA Film Festival Juror, Prof. of Documentary Film, SUNY Buffalo

Alice Apley, Executive Director, Documentary Educational Resources (DER)

Following the Pitch session, Leslie Aiello, from the Wenner-Gren Foundation will make a brief presentation about the Fejos Ethnographic Film Fellowship.

Two ways to participate in this workshop

PITCH YOUR PROJECT: Whether your project is in development, production, or in rough cut stage, this is an opportunity to get feedback on your work-in-progress from a jury with expertise in anthropological filmmaking, funding and distribution. Seven filmmakers (or filmmaking teams) will be selected to pitch projects. Those interested in presenting their film project should send a brief Pitch Proposal (see below) to Alice Apley (alice@der.org) by OCTOBER 21, 2016. The organizers will select a mix of experienced  to first-time filmmakers.

NONPITCHING WORKSHOP PARTICIPANTS: As a workshop participant, you can observe the pitches,join the discussion about the projects in progress, learn from the pitches, get ideas, and plan for a future visual project.

Pitch Proposal – If you are interested in pitching, send a one-page description of your project and a video sample. It should include:

  • Short synopsis describing the significance of the project, brief discussion of the issues, themes and story you will explore, and the visual style of the film (e.g. observational, experimental documentary etc).
  • Your bio, including your unique qualifications for completing this project successfully, such as knowledge, skills, access or history of involvement with the characters and/or subject matter.
  • Please also include a short status report describing where you are in the research, development and/or production process, what work has been completed and a brief timeline.
  • Production-related photo (optional).

Also send a trailer, teaser, or clips via a single streamable link of film footage or visuals (still or moving). (7 minutes maximum)

For questions, email Alice Apley, alice@der.org or Sarah Elder, selder@buffalo.edu

Kate Hennessy

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August 14, 2016

Funded Fellowships, Filmmakers Without Borders

August 14, 2016 | By | No Comments

FILMMAKERS WITHOUT BORDERS is offering fully-funded Fellowships for visual anthropology work in Bhutan.

FILMMAKERS WITHOUT BORDERS is a 501c3 nonprofit organization that provides fully-funded overseas fellowships to filmmakers/art educators to teach filmmaking, media literacy, and technology to underserved students in Africa, Asia, & Latin America.

– Live and teach in Thimphu, Bhutan for 10-12 months
– Teach filmmaking, media literacy, & 21st century technology skills to students for ~25 hours/week
– Shoot/edit x10+ video vignettes
– Shoot/edit x2 short film projects

– Flights provided
– Housing provided
– Food provided
– Equipment provided

– Other Fellowships: Bangladesh, Cambodia, Honduras, India, Morocco, Navajo Nation, Nepal, Tanzania, Thailand

Apply at developingfilmmakers.org by September 15th.

 

Kate Hennessy

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July 22, 2016

Call for Projectionists, SVA Film Festival, 2016

July 22, 2016 | By | No Comments

Dear colleagues,

We are looking for three graduate students, undergraduates, or filmmakers to work as projectionists at the 2016 Society for Visual Anthropology’s Film and Media Festival as part of the upcoming AAA meetings in Minneapolis, Minnesota. The position involves about 10 hours of work projecting an amazing line-up of films. We need people who are technologically savvy and highly responsible. This is a paid position and, in addition, the projectionists will get a AAA registration waiver.

If interested, send a note of interest and a CV to Kathryn Ramey at Kathryn_Ramey@emerson.edu<mailto:Kathryn_Ramey@emerson.edu>

Best regards,
Kathryn Ramey and Ulla D. Berg
Co-Directors, 2016 SVA Film and Media Festival

Kate Hennessy

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July 21, 2016

Deadline Friday July 22, 2016 — AAA Meeting Logo Design Competition

July 21, 2016 | By | No Comments

Overview

The 116th Annual Meeting of the American Anthropological Association will be held in Washington, D.C. with the theme of Anthropology Matters! Every year the association develops a logo which represents the annual meeting location and/or theme. This year we are looking for your input! We want to see your visual interpretation of the theme.  The winner will work with a committee and a professional designer to produce the final logo.

Eligibility

Contestants are permitted to work in groups, but their entry will be considered as one and will be eligible to win a single prize.

Guidelines

  • Your logo concept should be reflective of the 2017 conference destination, Washington, D.C. and/or the theme for the conference.
  • Your logo concept should not include references, symbols, or messages that may be deemed offensive, discriminatory, or inappropriate.
  • Your logo should include the name of the meeting “116th Annual Meeting of the AAA”, the location “Washington, D.C.,” and the date “November 29 – December 3, 2017.”

Download the official entry form with full guidelines here. 

Selection & Prize

  • A panel comprised of members of the Program Committee, will select one (1) winning entry, and their decision will be final. The winner will be notified by email and announced on the AAA website and social media platforms. The panel reserves the right to declare the contest deserted, to cancel it, or to disqualify any entry that does not conform to the guidelines.
  • Submissions should be made electronically to aaameetings@americananthro.org, including the entry form, and the logo concept in the format described above, as attachments with subject line <Logo Contest 2016>. The deadline to submit entries is July 22, 2016 at midnight Eastern Standard Time (-5 GMT), and decisions will be made by July 31, 2016.
  • Submissions will be judged on their visual appeal, their adherence to the concept and themes outlined above, quality of design, creativity, and ease of reproduction and manipulation.
  • The prize for the winning entry will include:
    • Special recognition during the conference and on the AAA website.
    • One complimentary registration to the 2017 Annual Meeting (up to $444 in value).
    • Four night stay at the conference hotel during the 2017 Annual Meeting (up to $1,300 value).
    • Prizes can are not exchangeable or transferable to other dates, or people and have no cash value.
  • Any queries should be addressed to: aaameetings@americananthro.org.

Timeline

  • June 22 – Logo Contest Launches
  • July 22 – Logo Contest Entries are due
  • July 18-July31 – Committee reviews and selects 2017 LOGO
  • July 25-September 2 – Logo winner works with staff and designer to produce 3 versions of the logo (icon, medium and full size), 3 colors versions (two color, full color, and gray scale) and different formats (.EPS, .JPG, and .PNG)
  • Mid-September –  Logo and theme revealed

 

Kate Hennessy

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July 19, 2016

Ethnographic Terminalia 2016, Minneapolis: Workshop ––”The Photo-Essay is Dead! Long live the Photo-Essay!”

July 19, 2016 | By | No Comments

Meetings of the American Anthropology Association, 2016
Minneapolis MN
Thursday, November 17, 2016 9:00-4:00

See our Call for Photo-Essayist Presentations here (deadline August 15th)
General participant registration on the AAA Website will be available soon.
Please send inquiries to ethnographicterminalia@gmail.com

Overview
The Ethnographic Terminalia Collective invites submissions by photo-essayists working within an anthropological idiom to present their photo-essays at a full-day workshop at the 2016 AAA Meetings in Minneapolis: “The Photo-Essay is Dead! Long Live the Photo-Essay!” The full-day workshop is designed for creative and engaged participation from both participants and presenters.  It is structured around three sessions each of which features the presentation of a photo-essay, a thought-provoking discussion of photography in Anthropology, and facilitator-led group activity. In the course of the day up to thirty workshop participants and six presenters will collectively contribute to a zine (an open-access and limited print-edition workshop publication) that will be launched and distributed at a reception on Saturday, Nov. 19th. The zine will function not only as a document of the workshop but also a formal object around which we explore the past, present, and future of the photo-essay in Anthropology.

Building on our art-anthropology experiments in off-site locations, this year we return  to the AAA conference site to re-examine the photo-essay within anthropological, photographic, and publishing communities.  Emulating our recent workshop and rapid-publication project (see http://ethnographicterminalia.org/terminus), the Ethnographic Terminalia Collective invites you to join us in actively considering how experimentations at the intersection of art and anthropology might function as prototypes for thinking about the future of the photographic image in anthropology.  We are all literally publishing at the terminus — the end of publishing agreements, the end of print, the end of things as they have been. How might the photo-essay work as a prototype for collectively envisioning a future of visual anthropology?

Rationale
Photographs have been a component of anthropological practice since its earliest formation. Their popularity over the past 150 years in monographs, journals, exhibitions, and now on the Internet, has increased dramatically. While photographs seem to be everywhere there has been little serious and sustained critical engagement with modes of presentation and publication in the context of visual anthropology.  For over a decade, the internet has increasingly become a rapid and inexpensive way to share photographs but there is little discussion about the forms in which they appear and how people engage with them. Due partly to cost, the photo-essay has never become prevalent within academic publications. Furthermore there is little clarity around the definition of a photo-essay especially in the context of anthropology. This is precisely what interests us. Our academic conventions for sharing photographs have been cemented around a limited number of typically black and white images in a journal article or monograph. It is only within the last decade that we’ve begun to see anthropological photo-essays published on-line and these often seem to be either ghettoized within the structure of the journal’s website or overlooked by readers unfamiliar with the genre.  Meanwhile within journalism and documentary photography there has been a surge of experiments and formal endeavours.

We believe that still photographs are on the cusp of finding new importance in anthropology in the form of the photo-essay, in particular as the serial nature of photography is being tested out within digital infrastructures on the Internet. For example, the journal Cultural Anthropology recently launched a photo-essay section of their journal; other major journals, now investing in digital infrastructures, are leveraging the Internet to share photographs. How digital forms and cross-disciplinary engagements with photographic representations are re-shaping aesthetic and ethical commitments to the photo essay remains unclear. However, we do know that more and more anthropologists use cameras in the field and many students are keen to study visual methodologies. As a result, the criteria for evaluating their critical and aesthetic contributions have yet to be fully developed. Further, the creative potential for the photo-essay to be realized in new formats and contexts is as yet generally unexplored. Ethnographic Terminalia has had a sustained engagement with contemporary art since 2009; in the workshop, we will  bring artists and anthropologists together to appreciate the degree of sophistication and variety of experiments in what might be loosely considered the photo-essay.

Workshop Structure
Ethnographic Terminalia is committed to serious play; our workshops are carefully designed to foster lively and generative spaces for critical collective exploration of a topic, thesis, or question.  Facilitated by the Ethnographic Terminalia Collective, up to thirty participants and six presenters will work collectively throughout the day to generate the materials for a zine in the form of a rapid prototype publication.  This workshop is organized into three sessions, each with: 1) an essayist exploring their work in the form of a single photo-essay; 2) a provocateur who will critically explore some element of the photo-essay; and 3) facilitated activities and open time for participant reflection on and annotation of works in progress, discussion, and contribution to the workshop publication.

Before the workshop, photo-essayists  and provocateurs will be asked to submit creatively designed page spreads featuring photo-essays and discussions. These will be included in the zine and printed for annotation during the workshop. Participants are also encouraged to print photographs from their own photo-essay works-in-progress and bring them to work with throughout the day.

During the workshop, presenters’ photo-essays will be installed for viewing and annotation. Participants and provocateurs will be invited to add commentary and other ephemera (using photography, photo printers, drawing, social media posts, annotation, and so on) to further contribute to the conversation. These contributions will be documented for inclusion in the publication. Additionally, workshop participants (who are not official presenters) are invited to bring their own photo essays-in-progress to contribute to the workshop activity, and which may be included in the publication.

After the workshop the Ethnographic Terminalia collective will complete the design and layout of the zine.  We will print copies for distribution on Saturday afternoon (Nov. 19th) at the AAA Meetings at a special event and zine launch supported by the Society for Visual Anthropology.  All participants will receive a copy of the zine, as will a limited number of reception attendees. An open access digital copy of the zine will be archived on the Ethnographic Terminalia website. You can see an example of the publication “Terminus: Archives, Ephemera, and Electronic Art” that we produced at our last workshop in Vancouver, British Columbia in 2015. http://ethnographicterminalia.org/terminus.

Kate Hennessy

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July 5, 2016

CFP: Documenting the Visual Arts (edited collection; deadline: Nov 1, 2016)

July 5, 2016 | By | No Comments

The proliferation and popularity of visual arts documentaries are a major component of the recent international documentary boom, but they tend to be overlooked in film criticism and scholarship in favor of documentaries framed more explicitly in social and political terms. Yet visual arts documentaries remain on the cutting edge of documentary innovation, from 3D cinema (Cave of Forgotten Dreams) to questioning documentary truths (Exit Through the Gift Shop). Moreover, visual arts documentaries have long played significant roles in various historical formations around documentary politics (e.g. USIA films in the Cold War, the Left Bank essay films of 1950s and Channel Four programming in the 1980s).

This edited collection will examine the significance of visual arts documentaries from a range of critical perspectives and methodologies. The book will explore not only how documentaries from around the globe exploit the formal properties of film and video to illuminate the aesthetic specificities and intersections of other visual arts, but also how they elucidate the material and cultural conditions in which visual arts are produced and experienced (e.g. the discourse of the artist, museums and galleries, activist art, religious practice, commercial design etc.). To complement these interpretative contributions, the book will also include critical analyses of the political economy of visual arts documentaries, especially the geopolitics of the genre. As an interdisciplinary and intermedial project, I am particularly interested in contributions that connect film studies to other disciplines and fields, including anthropology, art history, architecture, communication, rhetoric, performance studies and visual studies, among others. Consideration will be given to submissions about any historical period or cultural/national/regional context (the book aims for genuinely global scope). Contributions may focus on a single film, a body of work (organized around filmmaker, artist or subject) or a particular institutional context. I am defining visual arts broadly to include applied arts, such as fashion, architecture and design, as well as film, video, photography, painting, sculpture, illustration and performance art etc.

Possible topics include (but are not limited to):
• Medium specificity and the visual arts documentary
• Cultural politics of visual arts television programming
• Documentary film and arts education
• Visual arts documentary as cultural diplomacy
• Post/colonial appropriation and resistance in visual arts documentaries
• Representing visual aesthetic practices in ethnographic film
• Documenting performance and collaboration in the visual arts
• Documenting activist art practices
• Discourses of the visual artist in documentary film
• Documentaries about art institutions and markets
• Visual arts documentary as paratext (making of documentaries, exhibition documentaries)
• Relationship between documentary filmmaking and archival documentation of visual arts
• Histories of arts television networks and series
• Film technologies and the visual arts documentary
• Fakery, forgery and mockumentary

Deadline for electronic submission of 350-400 word abstract (plus brief biographical statement and sample 5- item bibliography): November 1, 2016. Notification by December 1, 2016.
Commissioned chapters should not exceed 5,000 words and must be completed by October 1, 2017.
Please send submissions and inquiries via email to Roger Hallas, Associate Professor of English (Film & Screen Studies), Syracuse University, USA: rhallas@syr.edu

Kate Hennessy

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May 27, 2016

SAPIENS’ Call for Photo Essays

May 27, 2016 | By | No Comments

Print

In January 2016, the Wenner-Gren Foundation launched SAPIENS, an editorially independent online publication devoted to popularizing anthropological research to an international, general-interest audience.

The foundation is bringing substantial resources to the project to sustain a beautiful website, support an editorial staff (comprised of both anthropology experts and journalists), and promote the site with an active marketing strategy. We anticipate that the magazine is on track to become a leading site for news, features, commentaries, reviews, and more highlighting anthropological research. Since its launch, we already have had more than 200,000 readers from 206 countries and territories. We have syndication partnerships with Scientific American, Discover Magazine, Slate, and The Atlantic.

A vital part of our new magazine is photo essays. These consist of 6–12 images, an introduction, and accompanying captions. In the tradition of visual anthropology, we seek original, high-quality sets of images that convey a story or draw our readers into an important and memorable place in time. An introduction (typically 100–300 words) should provide context for the essay, and each image should be accompanied by a caption (up to 75 words) that provides context and adds more information and insight.

To date, we’ve been able to present a wide range of excellent photo essays, from a long piece on the immigration crisis, to an insider’s view of a hospital in Niger caring for women suffering from obstetric fistula, to a story of how the simple ladder used by Pueblo Indians reveals their complex cosmology, to the controversial convenience stores run by immigrants in Belgium, to an artistic meditation on Native American massacre sites in the United States.

Help us transform how the public understands anthropology. Review our guidelines and please consider pitching a photo essay to the editors at editor@sapiens.org.

 

 

 

Aynur Kadir

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May 10, 2016

*** LAST CHANCE TO SUBMIT FOR THE MAY 15 LATE DEADLINE***

May 10, 2016 | By | No Comments

2016 Society for Visual Anthropology (SVA) Film & Media Festival – Minneapolis, MN

The Society for Visual Anthropology’s Film and Media Festival invites submissions for its 2016 Festival in the following categories: Ultrashort, Short, and Feature. Please submit your films via Withoutabox.

The Society for Visual Anthropology screens the best ethnographic films and video productions at our annual SVA Film & Media Festival, held in conjunction with the American Anthropological Association (AAA) Annual Meeting. This gives independent filmmakers as well as distributors broad access to a market of several thousand anthropologists and educators.

Ethnographic film and video defined broadly as works created as the result of ethnographic fieldwork or those which use, are informed by, or illustrate the principles of anthropological theory or methods.

For inquiries about this year’s festival in Minneapolis, please contact SVAFMF’s 2016 co-Directors Ulla D. Berg or Kathryn Ramey at svafilmfestival@gmail.com <mailto:svafilmfestival@gmail.com>
For more information about American Anthropology Associations and its annual meetings, please visit:www.aaanet.org/meetings <http://www.aaanet.org/meetings>
For more information about the Society for Visual Anthropology, please visit: http://societyforvisualanthropology.org/ <http://societyforvisualanthropology.org/>

Kate Hennessy

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February 22, 2016

2016 Visual Research Conference: Call for Proposals

February 22, 2016 | By | No Comments

The Society for Visual Anthropology’s Visual Research Conference will take place in Minneapolis, Minnesota this year, November 14-16, at the beginning of the American Anthropological Association meeting. An informal no-host dinner takes place on Monday night and interactive presentations take place all day Tuesday and until 3pM on Wednesday. The Visual Research Conference provides an opportunity for professionals and students to dialogue about visually engaged works-in-progress. There are no specific themes to follow, though we are most interested in new ideas and projects under development in the study of visual signification, visual communication, and visual forms of representation, and/or utilizing visual media (photo, film, web, polymedia, intermedia). Forty-five minute time slots allow for substantive presentations that include viewing of visual material as well as ample give-and-take with an actively participating audience. Further discussion takes place during poster presentations. Many informal discussion periods between the interactive formal presentations, plus conversations at lunch and dinner, create multiple situations for networking and exchange of ideas. Members and non-members of the American Anthropological Association and Society for Visual Anthropology are welcome and there is no charge to attend. This is a productive way to meet and interact with others who do anthropological and anthropologically-related visual research.

Abstracts of 250 words (but not more than 500 words) can be submitted through 12 midnight, Pacific Standard Time,  April 1, 2016 by clicking on the Visual Research Conference submission form link HERE.

PLEASE NOTE: this Visual Research Conference submission deadline on April 1 is EARLIER than the American Anthropological Association’s Annual Meeting submission deadline on April 15, so that the Visual Research Conference organizing committee has time to carefully review the submissions and invite the 2016 presenters. The Visual Research Conference is not the SVA Film and Media Festival, so if you want to screen a film, please refer to that link and submission.

For more information on the format of this lively event and how to submit a presentation, visit our page on the SVA web site or contact Dr. Tom Blakely (tdblakely@aol.com), Dr. Andrea Heckman (andreaheckman@earthlink.net), or Dr. Jerome Crowder (jecrowde@utmb.edu).

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