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AAA Meetings Archives - Page 2 of 10 - Society for Visual Anthropology

Aynur Kadir

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October 13, 2016

Workshop Announcement and Call for Participants

October 13, 2016 | By | No Comments

A PITCH SESSION FOR ETHNOGRAPHIC FILMMAKERS: DEVELOPING YOUR STORY, INTEGRATING YOUR RESEARCH, FINDING FUNDING AND DISTRIBUTION   (3-0700)

Workshops

Thursday, November 17

1:00 PM – 5:00 PM

 Are you currently working on a film? Are you interested in getting feedback?
Are you interested in ethnographic film production but not yet ready to share a project in progress?
 Please join us at the AAA for a new Society for Visual Anthropology workshop:

This workshop uses the pitch format of documentary film festivals in which filmmakers pitch their work-in-progress to a jury of funders, distributors and award winning filmmakers. For each film presented, the jury will provide feedback including strategies for visualizing anthropological content and suggestions for developing your narrative and structure. Other discussion topics include conceptualizing your audience, and opportunities and strategies for funding and distribution.

Pre- Selected filmmakers will give a10 minute presentation of their project, that includes a description of the story, themes, research, visual style, plans for completion and a short video sample. Our workshop format is intended to encourage lively discussion between jurors, other workshop participants and the presenting filmmakers. Discussion will address both the effectiveness of the pitch and the substance of the film project. Jury and audience awards. The goals of the workshop:

  1. To model how to present a film project to potential collaborators, funders & distributors.
  2. To provide concrete strategies for turning research into visually compelling stories.
  3. To direct participants to funding and distribution opportunities.

Pitch jurors include:

Camilla Nielsson, Filmmaker/Anthropologist, Director, DEMOCRATS

Sarah Elder, Director, DRUMS OF WINTER: UKSUUM CAUYAI, SVA Film Festival Juror, Prof. of Documentary Film, SUNY Buffalo

Alice Apley, Executive Director, Documentary Educational Resources (DER)

Following the Pitch session, Leslie Aiello, from the Wenner-Gren Foundation will make a brief presentation about the Fejos Ethnographic Film Fellowship.

Two ways to participate in this workshop

PITCH YOUR PROJECT: Whether your project is in development, production, or in rough cut stage, this is an opportunity to get feedback on your work-in-progress from a jury with expertise in anthropological filmmaking, funding and distribution. Seven filmmakers (or filmmaking teams) will be selected to pitch projects. Those interested in presenting their film project should send a brief Pitch Proposal (see below) to Alice Apley (alice@der.org) by OCTOBER 21, 2016. The organizers will select a mix of experienced  to first-time filmmakers.

NONPITCHING WORKSHOP PARTICIPANTS: As a workshop participant, you can observe the pitches,join the discussion about the projects in progress, learn from the pitches, get ideas, and plan for a future visual project.

Pitch Proposal – If you are interested in pitching, send a one-page description of your project and a video sample. It should include:

  • Short synopsis describing the significance of the project, brief discussion of the issues, themes and story you will explore, and the visual style of the film (e.g. observational, experimental documentary etc).
  • Your bio, including your unique qualifications for completing this project successfully, such as knowledge, skills, access or history of involvement with the characters and/or subject matter.
  • Please also include a short status report describing where you are in the research, development and/or production process, what work has been completed and a brief timeline.
  • Production-related photo (optional).

Also send a trailer, teaser, or clips via a single streamable link of film footage or visuals (still or moving). (7 minutes maximum)

For questions, email Alice Apley, alice@der.org or Sarah Elder, selder@buffalo.edu

Kate Hennessy

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July 22, 2016

Call for Projectionists, SVA Film Festival, 2016

July 22, 2016 | By | No Comments

Dear colleagues,

We are looking for three graduate students, undergraduates, or filmmakers to work as projectionists at the 2016 Society for Visual Anthropology’s Film and Media Festival as part of the upcoming AAA meetings in Minneapolis, Minnesota. The position involves about 10 hours of work projecting an amazing line-up of films. We need people who are technologically savvy and highly responsible. This is a paid position and, in addition, the projectionists will get a AAA registration waiver.

If interested, send a note of interest and a CV to Kathryn Ramey at Kathryn_Ramey@emerson.edu<mailto:Kathryn_Ramey@emerson.edu>

Best regards,
Kathryn Ramey and Ulla D. Berg
Co-Directors, 2016 SVA Film and Media Festival

Kate Hennessy

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July 21, 2016

Deadline Friday July 22, 2016 — AAA Meeting Logo Design Competition

July 21, 2016 | By | No Comments

Overview

The 116th Annual Meeting of the American Anthropological Association will be held in Washington, D.C. with the theme of Anthropology Matters! Every year the association develops a logo which represents the annual meeting location and/or theme. This year we are looking for your input! We want to see your visual interpretation of the theme.  The winner will work with a committee and a professional designer to produce the final logo.

Eligibility

Contestants are permitted to work in groups, but their entry will be considered as one and will be eligible to win a single prize.

Guidelines

  • Your logo concept should be reflective of the 2017 conference destination, Washington, D.C. and/or the theme for the conference.
  • Your logo concept should not include references, symbols, or messages that may be deemed offensive, discriminatory, or inappropriate.
  • Your logo should include the name of the meeting “116th Annual Meeting of the AAA”, the location “Washington, D.C.,” and the date “November 29 – December 3, 2017.”

Download the official entry form with full guidelines here. 

Selection & Prize

  • A panel comprised of members of the Program Committee, will select one (1) winning entry, and their decision will be final. The winner will be notified by email and announced on the AAA website and social media platforms. The panel reserves the right to declare the contest deserted, to cancel it, or to disqualify any entry that does not conform to the guidelines.
  • Submissions should be made electronically to aaameetings@americananthro.org, including the entry form, and the logo concept in the format described above, as attachments with subject line <Logo Contest 2016>. The deadline to submit entries is July 22, 2016 at midnight Eastern Standard Time (-5 GMT), and decisions will be made by July 31, 2016.
  • Submissions will be judged on their visual appeal, their adherence to the concept and themes outlined above, quality of design, creativity, and ease of reproduction and manipulation.
  • The prize for the winning entry will include:
    • Special recognition during the conference and on the AAA website.
    • One complimentary registration to the 2017 Annual Meeting (up to $444 in value).
    • Four night stay at the conference hotel during the 2017 Annual Meeting (up to $1,300 value).
    • Prizes can are not exchangeable or transferable to other dates, or people and have no cash value.
  • Any queries should be addressed to: aaameetings@americananthro.org.

Timeline

  • June 22 – Logo Contest Launches
  • July 22 – Logo Contest Entries are due
  • July 18-July31 – Committee reviews and selects 2017 LOGO
  • July 25-September 2 – Logo winner works with staff and designer to produce 3 versions of the logo (icon, medium and full size), 3 colors versions (two color, full color, and gray scale) and different formats (.EPS, .JPG, and .PNG)
  • Mid-September –  Logo and theme revealed

 

Kate Hennessy

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July 19, 2016

Ethnographic Terminalia 2016, Minneapolis: Workshop ––”The Photo-Essay is Dead! Long live the Photo-Essay!”

July 19, 2016 | By | No Comments

Meetings of the American Anthropology Association, 2016
Minneapolis MN
Thursday, November 17, 2016 9:00-4:00

See our Call for Photo-Essayist Presentations here (deadline August 15th)
General participant registration on the AAA Website will be available soon.
Please send inquiries to ethnographicterminalia@gmail.com

Overview
The Ethnographic Terminalia Collective invites submissions by photo-essayists working within an anthropological idiom to present their photo-essays at a full-day workshop at the 2016 AAA Meetings in Minneapolis: “The Photo-Essay is Dead! Long Live the Photo-Essay!” The full-day workshop is designed for creative and engaged participation from both participants and presenters.  It is structured around three sessions each of which features the presentation of a photo-essay, a thought-provoking discussion of photography in Anthropology, and facilitator-led group activity. In the course of the day up to thirty workshop participants and six presenters will collectively contribute to a zine (an open-access and limited print-edition workshop publication) that will be launched and distributed at a reception on Saturday, Nov. 19th. The zine will function not only as a document of the workshop but also a formal object around which we explore the past, present, and future of the photo-essay in Anthropology.

Building on our art-anthropology experiments in off-site locations, this year we return  to the AAA conference site to re-examine the photo-essay within anthropological, photographic, and publishing communities.  Emulating our recent workshop and rapid-publication project (see http://ethnographicterminalia.org/terminus), the Ethnographic Terminalia Collective invites you to join us in actively considering how experimentations at the intersection of art and anthropology might function as prototypes for thinking about the future of the photographic image in anthropology.  We are all literally publishing at the terminus — the end of publishing agreements, the end of print, the end of things as they have been. How might the photo-essay work as a prototype for collectively envisioning a future of visual anthropology?

Rationale
Photographs have been a component of anthropological practice since its earliest formation. Their popularity over the past 150 years in monographs, journals, exhibitions, and now on the Internet, has increased dramatically. While photographs seem to be everywhere there has been little serious and sustained critical engagement with modes of presentation and publication in the context of visual anthropology.  For over a decade, the internet has increasingly become a rapid and inexpensive way to share photographs but there is little discussion about the forms in which they appear and how people engage with them. Due partly to cost, the photo-essay has never become prevalent within academic publications. Furthermore there is little clarity around the definition of a photo-essay especially in the context of anthropology. This is precisely what interests us. Our academic conventions for sharing photographs have been cemented around a limited number of typically black and white images in a journal article or monograph. It is only within the last decade that we’ve begun to see anthropological photo-essays published on-line and these often seem to be either ghettoized within the structure of the journal’s website or overlooked by readers unfamiliar with the genre.  Meanwhile within journalism and documentary photography there has been a surge of experiments and formal endeavours.

We believe that still photographs are on the cusp of finding new importance in anthropology in the form of the photo-essay, in particular as the serial nature of photography is being tested out within digital infrastructures on the Internet. For example, the journal Cultural Anthropology recently launched a photo-essay section of their journal; other major journals, now investing in digital infrastructures, are leveraging the Internet to share photographs. How digital forms and cross-disciplinary engagements with photographic representations are re-shaping aesthetic and ethical commitments to the photo essay remains unclear. However, we do know that more and more anthropologists use cameras in the field and many students are keen to study visual methodologies. As a result, the criteria for evaluating their critical and aesthetic contributions have yet to be fully developed. Further, the creative potential for the photo-essay to be realized in new formats and contexts is as yet generally unexplored. Ethnographic Terminalia has had a sustained engagement with contemporary art since 2009; in the workshop, we will  bring artists and anthropologists together to appreciate the degree of sophistication and variety of experiments in what might be loosely considered the photo-essay.

Workshop Structure
Ethnographic Terminalia is committed to serious play; our workshops are carefully designed to foster lively and generative spaces for critical collective exploration of a topic, thesis, or question.  Facilitated by the Ethnographic Terminalia Collective, up to thirty participants and six presenters will work collectively throughout the day to generate the materials for a zine in the form of a rapid prototype publication.  This workshop is organized into three sessions, each with: 1) an essayist exploring their work in the form of a single photo-essay; 2) a provocateur who will critically explore some element of the photo-essay; and 3) facilitated activities and open time for participant reflection on and annotation of works in progress, discussion, and contribution to the workshop publication.

Before the workshop, photo-essayists  and provocateurs will be asked to submit creatively designed page spreads featuring photo-essays and discussions. These will be included in the zine and printed for annotation during the workshop. Participants are also encouraged to print photographs from their own photo-essay works-in-progress and bring them to work with throughout the day.

During the workshop, presenters’ photo-essays will be installed for viewing and annotation. Participants and provocateurs will be invited to add commentary and other ephemera (using photography, photo printers, drawing, social media posts, annotation, and so on) to further contribute to the conversation. These contributions will be documented for inclusion in the publication. Additionally, workshop participants (who are not official presenters) are invited to bring their own photo essays-in-progress to contribute to the workshop activity, and which may be included in the publication.

After the workshop the Ethnographic Terminalia collective will complete the design and layout of the zine.  We will print copies for distribution on Saturday afternoon (Nov. 19th) at the AAA Meetings at a special event and zine launch supported by the Society for Visual Anthropology.  All participants will receive a copy of the zine, as will a limited number of reception attendees. An open access digital copy of the zine will be archived on the Ethnographic Terminalia website. You can see an example of the publication “Terminus: Archives, Ephemera, and Electronic Art” that we produced at our last workshop in Vancouver, British Columbia in 2015. http://ethnographicterminalia.org/terminus.

Aynur Kadir

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May 10, 2016

*** LAST CHANCE TO SUBMIT FOR THE MAY 15 LATE DEADLINE***

May 10, 2016 | By | No Comments

2016 Society for Visual Anthropology (SVA) Film & Media Festival – Minneapolis, MN

The Society for Visual Anthropology’s Film and Media Festival invites submissions for its 2016 Festival in the following categories: Ultrashort, Short, and Feature. Please submit your films via Withoutabox.

The Society for Visual Anthropology screens the best ethnographic films and video productions at our annual SVA Film & Media Festival, held in conjunction with the American Anthropological Association (AAA) Annual Meeting. This gives independent filmmakers as well as distributors broad access to a market of several thousand anthropologists and educators.

Ethnographic film and video defined broadly as works created as the result of ethnographic fieldwork or those which use, are informed by, or illustrate the principles of anthropological theory or methods.

For inquiries about this year’s festival in Minneapolis, please contact SVAFMF’s 2016 co-Directors Ulla D. Berg or Kathryn Ramey at svafilmfestival@gmail.com <mailto:svafilmfestival@gmail.com>
For more information about American Anthropology Associations and its annual meetings, please visit:www.aaanet.org/meetings <http://www.aaanet.org/meetings>
For more information about the Society for Visual Anthropology, please visit: http://societyforvisualanthropology.org/ <http://societyforvisualanthropology.org/>

Kate Hennessy

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April 7, 2016

Call for Pre Screeners – 2016 Society for Visual Anthropology Film & Media Festival

April 7, 2016 | By | No Comments

Dear colleagues,
Society For Visual Anthropology Film and Media Festival (SVAFMF) is looking for pre-screeners to preview this year’s film submissions and provide the festival jury with feedback that we will use to make programing decisions. This is an exciting opportunity for you to have a sneak peak at some of this year’s submissions and to participate in programming for the festival. Being a pre-screener entails watching one or more feature length submissions online (from the comfort of your home or office), and providing us with a descriptive feedback on each film assigned to you (using our standard questionnaire). As a pre-screener you will be thanked by name in our festival program and (if you want) you will also be given the opportunity to chair a film program of your choice. All pre-screener evaluations are due by Sunday, May 29, 2016. The criteria to be a pre-screener includes:
– Pre-screeners must be active members of AAA
– Pre-screeners must keep all entries and evaluations confidential
– Pre-screeners must not have an film entry in this year’s festival
– Pre-screeners must commit to viewing and evaluating their assigned films by the May 29 deadline (or give us an advance notice if they are unable to fulfill their assignments)
To sign up to be a pre-screener for this year’s festival, simply send an email at your earliest convenience with SUBJECT: “Pre-screener sign up,” and the following information in the BODY of the email: your full name, institutional affiliation, and the number of film you are interested in pre-screening to: svafilmfestival@gmail.com
Please circulate, and please reply ASAP!
Thank you,  
Ulla D. Berg
Co-Director,

2016 SVA Film and Media Festival

Kate Hennessy

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February 22, 2016

2016 Visual Research Conference: Call for Proposals

February 22, 2016 | By | No Comments

The Society for Visual Anthropology’s Visual Research Conference will take place in Minneapolis, Minnesota this year, November 14-16, at the beginning of the American Anthropological Association meeting. An informal no-host dinner takes place on Monday night and interactive presentations take place all day Tuesday and until 3pM on Wednesday. The Visual Research Conference provides an opportunity for professionals and students to dialogue about visually engaged works-in-progress. There are no specific themes to follow, though we are most interested in new ideas and projects under development in the study of visual signification, visual communication, and visual forms of representation, and/or utilizing visual media (photo, film, web, polymedia, intermedia). Forty-five minute time slots allow for substantive presentations that include viewing of visual material as well as ample give-and-take with an actively participating audience. Further discussion takes place during poster presentations. Many informal discussion periods between the interactive formal presentations, plus conversations at lunch and dinner, create multiple situations for networking and exchange of ideas. Members and non-members of the American Anthropological Association and Society for Visual Anthropology are welcome and there is no charge to attend. This is a productive way to meet and interact with others who do anthropological and anthropologically-related visual research.

Abstracts of 250 words (but not more than 500 words) can be submitted through 12 midnight, Pacific Standard Time,  April 1, 2016 by clicking on the Visual Research Conference submission form link HERE.

PLEASE NOTE: this Visual Research Conference submission deadline on April 1 is EARLIER than the American Anthropological Association’s Annual Meeting submission deadline on April 15, so that the Visual Research Conference organizing committee has time to carefully review the submissions and invite the 2016 presenters. The Visual Research Conference is not the SVA Film and Media Festival, so if you want to screen a film, please refer to that link and submission.

For more information on the format of this lively event and how to submit a presentation, visit our page on the SVA web site or contact Dr. Tom Blakely (tdblakely@aol.com), Dr. Andrea Heckman (andreaheckman@earthlink.net), or Dr. Jerome Crowder (jecrowde@utmb.edu).

Kate Hennessy

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November 17, 2015

2015 SVA AAA Program now available

November 17, 2015 | By | No Comments

The 2015 SVA Program Committee (Susan Falls and Fiona P. McDonald) are happy to announce the 2015 SVA Program. You won’t want to miss any of this year’s amazing Film and Media Festival, SVA workshops, roundtables, sessions, Installations, and parties! Download the 2015 SVA AAA Meeting Program here so that you can be sure to connect to all of the people and media you want to see.

Kate Hennessy

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October 26, 2015

Ethnographic Terminalia Presents ‘Aeolian Politics’, Denver 2015

October 26, 2015 | By | No Comments

Denver, CO. November 17-22, 2015
Emmanuel Gallery

In the midst of this boom of writing and thinking and worrying about the end of the world brought on by anthropogenic climate catastrophes, Ethnographic Terminalia presents Aeolian Politics.  It is indeed the end of time for glaciers that have withstood thousands of years, cycling through periods of freeze and thaw.  It is the end of time for entire species extinguished at such an alarming rate that even the most hardened observer of the ‘news’ must be a little shaken and perturbed.

It is in this moment that we have enthusiastically collaborated with Cymene Howe and Dominic Boyer to translate their work, Aeolian Politics, into an exhibition. We all inhabit the weather world, regardless of the little shelters built to insulate us from the elements. The banal familiarity of the seasons as they wash over us no longer require studied effort to estrange them.  Strange weather is here.  The force of this world—which we re-engineered through centuries of mining, fossil-fuel burning, over-fishing, agro-industrial growth, and so on—imposes itself upon our everyday so that we must make a constant effort to make the strange familiar and pretend that everything will be okay. At times the veneer of a stable and predictable life seems terribly thin.

We welcome you to explore the Windhouse, a gallery within a gallery, caught up in an airy torrent of wind politics where the materiality of Zapotec words invoke the weird familiarity of wind in the weather world.

Emmanuel Gallery
November 17-22, 2015
1205 10th Street, Denver, CO 80204
http://www.emmanuelgallery.org/

Opening Reception Friday 20 November 7pm – 11:30 pm

For more information please visit our website and Press Release

etap2015-card-v3

Kate Hennessy

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August 13, 2015

Call for Society for Visual Anthropology Film and Media Festival Co-Directors

August 13, 2015 | By | No Comments

The Society for Visual Anthropology (SVA) invites applications for Co- Directors for the annual SVA Film and Media Festival (SVAF&MF). This is a 3- year position that will begin after the end of the 2015 meetings (December 2015) and continues until the end of the 2018 Meetings (with the option of serving a reduced 2-year term through 2017). Ideally, the terms will be coordinated so that there will be some overlap between terms by current and new co-editors.

About SVAF&MF:

The Society for Visual Anthropology’s Film & Media Festival is the premier venue for screening ethnographic film and media showcasing works by students, professional anthropologists, and documentary filmmakers from around the world. Each year the festival is held during the

American Anthropological Association’s (AAA) annual conference.

SVAF&MF is a three and half day event that begins on Wednesday afternoon and concludes on Saturday evening of the AAA meetings. SVAF&MF co- directors work with the SVA board and jury, comprised of anthropologists and filmmakers to make programing decisions and select films to be included in the festival each year on the basis of ethnographic relevance, production quality and contribution to the field of anthropology.

Qualifications of SVAF&MF co-directors include:

  1. A proven background in fields related to Visual Anthropology and Ethnographic Film.
  2. Proven organizational skills, especially in managing events and coordinating presentations and Q&A sessions (i.e. workshops, conferences, and/or visual exhibitions).
  3. Familiarity with the technologies associated with online screening and assessment as well as film festival exhibition (Vimeo, Youtube, Dropbox, Google Doc, Handbreak, WithoutaBox and Film Freeway, (MOV.) QuickTime, iTunes).
  4. Familiarity with the canon of Ethnographic Film in the American tradition.

Responsibilities include:

  1. Contract with the film festival hosting site (WithoutABox or Film Freeway) to renew and update the festival account and submission listing (Jan).
  2. Work with the S V A board members to solicit submissions through annual calls for entries (Deadlines include – Early: Feb 15; Regular: March 15; Late: April 15).
  3. Organize pre-screening of films. Digitize DVDs and digital media that are submitted into an online format (currently Vimeo) suitable for prescreening and jurying. Create ranking database.
  4. Appoint the SVAF&MF Jury in consultation with the SVA board.
  5. Manage S V AF&MF Gmail mailbox
  6. Send pre-screening notes and assignments to SVAF&MF Jury.
  7. Coordinate the hosting of the jury meetings and works with SVAPresident and the SVAF&MF jury to coordinate the 3-day jurying of films (June).
  8. Determine prizewinners with jury; notify winner and assist withcoordination of travel plans with filmmakers attending the festival and award presentations with SVA Board.
  9. ScheduletheSVAFilm&MediaFestivalinconsultationwithSVAprogramming Committee for room availability/requirements andtechnology needs.

10.Create program (collate synopsis, press materials and film stills into one master document). Advertise for the film festival via email and social media. Work with SVA website manager to upload the program and trailers on the SVA website.

11.Manage the collection of final exhibition prints – digitize all prints into MOV. QuickTime Film. Procure a laptop and hard drives to store and screen film during the festival and organize the digital films according to the program.

12.Organize staffing (projectionist and program manager) for all three days of the film festival itself at the Annual Meetings of the AAA. Coordinate facilitators for the Q&A session with filmmakers in attendance.

13.Manage budget in consultation with SVA Treasurer, including costs for jurying, technical support, staff, travel awards, and advertising.

The SVAF&MF Co-Directors should commit to the following work effort:

  1. Two to three hours a week from January to early March for festival planning/preparation.
  2. Three to four hours a week from mid-March to April for festival related communications, database preparation.
  3. Five to six hours a week in April and May for pre-screening communications, data input, etc.
  4. Three weeks in June for jurying preparation and jurying hosting.
  5. Four to five hours a week from July to September for conference andfilm festival coordination and planning, communicating with filmmakers and AAA programming committee, and to prepare an annual report for the SVA Board.
  6. At least twelve hours a week in October and early November for festival coordination and planning.
  7. At least several days immediately before, during and after the AAA annual meeting for festival management. (Past co-directors found that at least half of every day at the annual meeting was used in festival related activities). Co-directors should expect to arrive at the AAA meetings one day early (Tuesday) and stay until Sunday; they are also expected to attend the SVA Board Meeting as well as the SVA Business Meeting and Awards Ceremony.

Compensation

SVA Film and Media Festival Director is a voluntary position and does not receive direct compensation for time or effort. The SVA Board will reimburse expenses directly related to film festival upon approval. Jurying travel and meal expenses are covered by the SVA. Film Festival co-directors’ attendance at the AAA annual meeting is required and reimbursed (up to $1500 total to be shared between the two co-directors).

For further information or to submit application by September 30th 2015 (please include letter of interest, detailing qualifications and current CV) email SVA President-Elect Stephanie Takaragawa : Stephanie.takaragawa@gmail.com

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