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Kate Hennessy - Society for Visual Anthropology

Kate Hennessy

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January 10, 2018

AES/SVA Spring Conference Deadline extended!

January 10, 2018 | By | No Comments

The AES-SVA 2018 Spring Conference deadline has been extended to Friday January 19, 2018, 5pm EST. We apologize for any technical difficulties you may have encountered!

Please consult for updated instructions on how to submit sessions to the CFP portal:https://americanethnologist.org/meetings/spring-conference/aes-2018 .

Kate Hennessy

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November 23, 2017

The SVA Remembers Richard B. Freeman (1959-2017)

November 23, 2017 | By | 2 Comments

Richard B. Freeman (1959-2017)

Our friend and colleague, Richard Freeman passed away unexpectedly in October, due to complications from cancer. Richard was involved with the Society for Visual Anthropology for at least two decades and was elected to serve on the Board beginning at the end of the 2017 meeting. Richard was an avid photographer and excellent visual researcher, he published in VAR and also notably in the volume Viewpoints (2009), edited by Mary Strong and Laena Wilder. Trained as both a photographer and anthropologist, Richard returned to school and became a librarian, finding a means for combining his passion for anthropology, research, media practice and technology. Since 2012 Richard was employed at the University of Florida as an Assistant University Librarian and the Anthropology Subject Specialist in the Smathers Libraries. There he was able to lend his skills and talents to projects in Oaxaca (with Bill Wood) as well as in Haiti and Miami (with Ben Heblethwaite). Richard was very interested in the role of archiving big data for social science and humanities research, and had recently uploaded his data on Vodou in Haiti and Miami to the Digital Library of the Caribbean, a multi-institution self-upload collection which he eagerly promoted as an example of the future of digital research (http://ufdc.ufl.edu/dloc1?n=dloc). Richard chaired panels and round tables and offered workshops on this topic at national meetings as well as at U. Florida. Most recently he convened a panel on “Data Management for Anthropology in the Digital Age” at the 2016 AAA meetings and was lead editor of a book on the same topic, expected to be published in 2018 (Palgrave).

Over the years Richard regularly attended the annual SVA Visual Research Conference where he is remembered for his insightful comments and supportive nature. This past year he served on the John Collier, Jr Award committee, bringing his critical eye and unique perspective to bear upon the many nominations for outstanding still photography. Richard loved to travel and explore, meet people and listen to music. We could always count on Richard for good conversation on many different topics ranging from his beloved Cubs, anthropology and digital scholarship, photography and camera gear, and his curious and eclectic taste in music from around the globe. His website best reflects Richard’s enthusiastic approach to life, his interests, sense of humor, and his friends (www.visualquotations.com).

A remembrance will be held for Richard during the 2017 Visual Research Conference on Wednesday, November 29 at 1:15PM in the Rose Room, National Museum of Natural History, Washington, DC.

prepared by J. Crowder

Richard chats with Brent Luvaas about his street photography project. Denver, 2016.

Richard engaging with a presenter at the Visual Research Conference in Minneapolis, 2016.

Richard attending the Visual Research Conference in Denver. November, 2015.

Richard sharing his lunch at the Visual Research Conference. Washington, DC. 2014.

Kate Hennessy

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November 22, 2017

REGISTER NOW for the SVA FILM PITCH WORKSHOP at AAA

November 22, 2017 | By | No Comments

[DOWLOAD FLYER HERE]

REGISTER NOW for the SVA FILM PITCH WORKSHOP at AAA

Friday, December 1st, 1 – 5pm, SVA WORKSHOP # 4-0770

Location: Marriott, Park Tower 8206

Are you interested in using film for conveying your anthropological research or reaching new audiences? Watch others pitch their projects, think about your own film, learn strategies for funding and distribution and join the discussion.

Workshop: A PITCH SESSION FOR ETHNOGRAPHIC FILMMAKERS:

DEVELOPING YOUR STORY, INTEGRATING YOUR RESEARCH, FINDING FUNDING AND DISTRIBUTION

Six filmmakers have been selected from an open call to pitch their work-in-progress to a jury of funders, distributors and award winning filmmakers. Following a seven minute pitch, each filmmaker will receive feedback from the jury and audience on the effectiveness of the pitch and the substance of the film project – including strategies for visualizing anthropological content and suggestions for developing narrative and structure. Jury and audience awards will be given.

To participate, you must register for workshop #4-0770; $20 student, $40 nonstudent. Use this site for information about how to register (http://s3.amazonaws.com/rdcms-aaa/files/production/public/FileDownloads/meetings/AAA2017Workshops_HowToRegister_090817.pdf).

JURY

Alice Apley (Moderator/ Pitch Organizer), Executive Director, Documentary Educational Resources, Co-Director Remembering John Marshall, (2006)

Sarah Elder (Pitch Organizer), Award-winning filmmaker, Uksuum Cauyai: Drums of Winter (1985) – selection National Film Registry (2006), SVA Film Festival Juror, Professor of Documentary Film at SUNY Buffalo, NY.

Ilisa (Lisa) Barbash, Co-director and Producer Sweetgrass (2009), In and Out of Africa (1992). Barbash wrote “Where the Roads All End: Photography and Anthropology in the Kalahari” (2017), co-wrote “Cross-cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Video” (1997) and co-edited “The Cinema of Robert Gardner” (2007). Curator of Visual Anthropology at Harvard University’s Peabody Museum of Archaeology and Ethnology.

Andrea Meditch, Executive Producer, Man on Wire (2008), Encounters at the End of the World (2007), Producer, Grizzly Man (2005) among others. President, Back Allie Entertainment. Developer, Discovery Films and Discovery Channel. PhD in Linguistic and Cultural Anthropology, University of Texas.

David Weinstein, Senior Program Officer, Division of Public Programs, National Endowment for the Humanities (NEH).  He manages grants for films, radio programs, museum exhibits, digital projects, and public engagement. David holds a Ph.D. in American studies from the University of Maryland College Park.  He is the author of The Forgotten Network: DuMont and the Birth of American Television (2004) and The Eddie Cantor Story: A Jewish Life in Performance and Politics (2017).


PITCHING PROJECTS

LET THE GODS DANCE

Director / Producer: Jarrod Cann, Co-Producer / Advisor: Dr. Stefan Fiol

Synopsis: LET THE GODS DANCE is a feature-length ethnographic film that follows the life and resilience of a Dalit drummer named Sohan Lal and his family who belong to a marginalized caste of hereditary musicians living in the farmlands of the Himalayan mountains in Uttarakhand, India. Like many drummers from his community, it is Sohan’s duty to invoke ritual possession and dance the village gods, yet he is still seen by most as polluted and untouchable. This film depicts how he and his children endure and resist the narrative that has been placed upon their caste-community for hundreds of years.

THE GÉNOCIDAIRES

Producer: Anna Hedlund,

Directors: Anna Hedlund and Lesedi Rudolph

Synopsis – The documentary explores life in a Hutu rebel camp in the eastern Congo inhabited by the fighters and families of the Democratic Forces for the Liberation of Rwanda (FDLR). The film explores the worldview and propaganda spread by FDLR leaders, some of whom played a role in the Rwandan genocide in 1994. The film focuses not only on the soldiers experiences of violence, but also their families, all of whom are taught that there was no genocide in Rwanda, uncovering an unexpected truth in the propaganda that they are merely innocent victims of history caught in the middle of a war that was not their doing.

ABOVE AND BELOW THE GROUND

Director & DP: Emily Hong, Producer: Maggie Lemere, Impact Producer: Myanmar-Tsa Ji

Synopsis: Above and Below the Ground tells the story of daring indigenous women activists and rock musicians who come together in the ongoing struggle against the Myitsone Dam and for environmental self-determination across their native Kachinland. Through investigation, protest, prayer, and music, they test the boundaries of tentative democratic reform in Northern Myanmar, and work to create a future in which native peoples have the right to care for and protect their own lands and natural resources.

 

WHO ARE WE, COMRADES?

Director: Veronika Kusumaryati

Synopsis: Set against the turbulent sociopolitical atmosphere of West Papua, the film is a feature-length documentary portraying the lived experience of young Papuans in dealing with their violent past and present, in their struggle with their Melanesian identity, and in their fear and hope of their future under foreign forces’ occupation.

 

SINGING FOR JUSTICE: ATEETEE, AN ARSI OROMO WOMEN’S DISPUTE RESOLUTION PROCESS IN ETHIOPIA”

Director, Leila Qashu

Synopsis: This film documents Ateetee, a sung Arsi Oromo women’s indigenous dispute resolution process in Ethiopia through the rituals and conversations with the women who practice Ateetee. Arsi women use Ateetee for several purposes, but principally as prayers for rain and prayers for dispute resolution in the case of gender abuse.

 

BINAT AL-BAROUD (OR GUNPOWDER WOMEN)

Director: Gwyneth Talley, co-director: Gabriella Garcia-Pardo.

 Synopsis: Binat al-Baroud (or Gunpowder Women) is an observational documentary focusing on the Moroccan women who compete in the traditional, male-dominated equestrian practice known as tbourida. Until now, men wearing traditional clothes, armed with gunpowder rifles, charged their horses about 300 meters before simultaneously firing their rifles in the air. Since 2004, women have become increasingly involved in tbourida performances, participating along with men, and also forming their own groups. The film follows the team captain, Amal Ahamri, one of the first women to start riding in this sport, as she balances work, motherhood, and her passion for horses, and the contradictions that arise within her.

Kate Hennessy

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September 25, 2017

Mount Holyoke College, Tenure-track visual and media anthropology position

September 25, 2017 | By | No Comments

The Department of Sociology and Anthropology at Mount Holyoke College invites applications for a tenure track position in cultural anthropology at the assistant professor rank to begin fall 2018.

We are looking for an ethnographer who specializes in media and visual anthropology, with attention to the politics of representation regarding cultural forms such as race, class, gender, religion, and ability. We welcome candidates who incorporate video, photography, and/or other innovative techniques into their ethnographic methodology. The successful candidate will have the opportunity to collaborate with colleagues in interdisciplinary fields such as Film Studies, Africana Studies, Latin American and Latinx Studies, and Journalism, as well as with community-based and global education programs.

For full details about this position, please go to this site: https://jobs.mtholyoke.edu/index.cgi?&JA_m=JASDET&JA_s=557
Kate Hennessy

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September 6, 2017

Tenure-track position, Bowdoin College

September 6, 2017 | By | No Comments

Bowdoin College’s Department of Sociology and Anthropology invites applications for a tenure-track faculty appointment in Anthropology at the Assistant Professor level beginning fall 2018. We seek a cultural anthropologist whose research focuses on issues of indigeneity, sovereignty, the environment, and/or media in Native American or other indigenous communities. We are especially interested in candidates whose areas of geographic and topical specialization complement and broaden those now covered in the Department.

We welcome applications from candidates committed to the instruction and support of a diverse student population and those who will enrich and contribute to the College’s ethnic and cultural diversity. We value a community in which students of all backgrounds are warmly welcomed and encouraged to succeed. In your application materials, we encourage you to address how your teaching, scholarship, and/or mentorship may support our commitment to diversity and inclusion.

Bowdoin values a strong commitment to research and a promise of long-term successful scholarly engagement as well as a dedication to teaching excellence in a liberal arts environment. There is internal funding in support of research, a junior sabbatical leave, and an accelerated post-tenure sabbatical schedule. Teaching load is two courses each semester. The successful candidate will teach courses in their areas of expertise and will contribute to the rotation of core courses for the major in Anthropology (including Introduction to Cultural Anthropology; Ethnographic Research; History of Anthropological Theory; and Contemporary Issues in Anthropology, a senior capstone course). A Ph.D. in Anthropology is expected by date of appointment. We recognize that recruiting and retaining faculty may involve considerations of spouses and domestic partners. To that end, where possible, the College will attempt to accommodate and respond creatively to the needs of spouses and partners of members of the faculty.

Bowdoin College accepts only electronic submissions. Please visit https://careers.bowdoin.edu to submit: 1) a cover letter that details your scholarly research agenda and describes your teaching experience; 2) a curriculum vitae; and 3) the names and contact information for three references who have agreed to provide letters of recommendation. Review of applications will begin September 15, 2017.

Founded on the Maine coast in 1794, Bowdoin is one of the oldest and most selective coeducational, residential liberal arts colleges in the country. Located in Brunswick, Maine, a 30-minute drive north of Portland, the College is in an area rich with natural beauty and year-round outdoor activities. Bowdoin’s reputation rests on the excellence of its faculty and students, its intimate size, its strong sense of community, and its commitment to diversity (31.5% students of color, 5% international students and approximately 15% first-generation college students). Bowdoin College complies with applicable provisions of federal and state laws that prohibit unlawful discrimination in employment, admission, or access to its educational or extracurricular programs, activities, or facilities based on race, color, ethnicity, ancestry and national origin, religion, sex, sexual orientation, gender identity and/or expression, age, marital status, place of birth, genetic predisposition, veteran status, or against qualified individuals with physical or mental disabilities on the basis of disability, or any other legally protected statuses. For further information about the College please visit our website: http://www.bowdoin.edu.

Kate Hennessy

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August 25, 2017

Call for Film Projects for the AAA Film Pitch Workshop

August 25, 2017 | By | No Comments

Are you currently working on a film? Are you interested in getting feedback?

Are you interested in ethnographic film production but not yet ready to share a project in progress?

Due to the enormous success of the 2016 Pitch Session, we are once again convening a Film Pitch Workshop at the 2017 Annual Meeting.  Please join us for the 2nd Annual Society for Visual Anthropology Film Pitch Workshop, December 1st from 1-5 PM.

A PITCH SESSION FOR ETHNOGRAPHIC FILMMAKERS: DEVELOPING YOUR STORY, INTEGRATING YOUR RESEARCH, FINDING FUNDING AND DISTRIBUTION

This workshop uses the pitch format of documentary film festivals in which filmmakers pitch their work-in-progress to a jury of funders, distributors and award winning filmmakers. For each film presented, the jury will provide feedback including strategies for visualizing anthropological content and suggestions for developing your narrative and structure. Other discussion topics include conceptualizing your audience, and opportunities and strategies for funding and distribution.

Preselected filmmakers will give a 10 minute presentation of their project that includes a description of the story, themes, research, visual style, plans for completion and a short video sample. Our workshop format is intended to encourage lively discussion between jurors, other workshop participants and the presenting filmmakers. Discussion will address both the effectiveness of the pitch and the substance of the film project.

The goals of the workshop are:

  1. To model how to present a film project to potential collaborators, funders & distributors.
  2. To provide concrete strategies for turning research into visually compelling stories.
  3. To direct participants to funding and distribution opportunities.

Pitch jurors are to be announced.

Two Ways to Participate
PITCH YOUR PROJECT: Whether your project is in development, production, or in rough cut stage, this is an opportunity to get feedback on your work-in-progress from a jury with expertise in anthropological filmmaking, funding and distribution. Seven filmmakers (or filmmaking teams) will be selected to pitch projects. Those interested in presenting their film project should send a brief Pitch Proposal to Alice Apley by October 15, 2017. The organizers will select a mix of experienced to first-time filmmakers.
NONPITCHING WORKSHOP PARTICIPANTS: As a workshop participant, you can observe the pitches, get ideas for projects, join the discussion about the projects in progress, learn from the pitches, and plan for a future visual project.
Pitch Proposal
If you are interested in pitching, send a one-page description of your project and a video sample. It should include:
  • Short synopsis describing the significance of the project, brief discussion of the issues, themes and story you will explore, and the visual style of the film (e.g. observational, experimental documentary etc).
  • Your bio, including your unique qualifications for completing this project successfully, such as knowledge, skills, access or history of involvement with the characters and/or subject matter.
  • Please also include a short status report describing where you are in the research, development and/or production process, what work has been completed and a brief timeline.
  • Production-related photo (optional).
  • Also send a trailer, teaser, or clips via a single streamable link of film footage or visuals (still or moving). (7 minutes maximum)

For questions, email Alice Apley or Sarah Elder.

Kate Hennessy

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May 4, 2017

Announcing the 2017-2018 SVA/Robert Lemelson Fellows!

May 4, 2017 | By | No Comments

Congratulations to our inaugural cohort of the SVA/Robert Lemelson Foundation Fellows! 

  • Donagh Coleman (UC Berkeley, joint UCSF program), “Tudam Death and the Tibetan Ontological Body”
  • Saudi Garcia (New York University), “Visualizing Dominican Blackness: Digital Media Infrastructure and Insurgent Black Consciousness in Santo Domingo”
  • Camilo Leon-Quijano (Ecole des Hautes Etudes en Sciences Sociales), “Photographic Commitment: Exploring Rugby-women’s Empowerment Through Multimedia Approaches”
  • Page McClean (University of Colorado, Boulder), “Conectividades: The Social Life of Chile’s Southern Highway”
  • Steve Moog (University of Arkansas), “Behind the Scene(s): Collaborative Visual Ethnography in Indonesia’s Do-it-yourself Punk Rock Scene”
  • Reese Muntean (Simon Fraser Univesity), “Virtual Reality Documentation of Salak Yom: Crafting 3D & Virtual reality Applications to Communicate Traditional Knowledge & Cultural Values”
More information on the SVA/Robert Lemelson Foundation here: LINK
Kate Hennessy

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March 3, 2017

2017 SVA Film and Media Festival Call for Submissions

March 3, 2017 | By | 2 Comments

The Society for Visual Anthropology’s Film & Media Festival screens work by students, professional anthropologists, and professional filmmakers at the American Anthropological Association’s annual conference.

The Festival jury, comprised of anthropologists and film scholars, selects work to be included in the Festival on the basis of anthropological relevance and value to the field. Low budget and shorter works receive as careful attention as high budget or longer works. The SVA may bestow a number of awards each year, including the Festival’s highest recognition, the Joan S. Williams Award of Excellence, named for the Festival’s longtime organizer who retired in 2006. An award for Best Student Work is awarded annually and the Jean Rouch Award may be given for collaborative and participatory work.

If you wish to submit a production please visit: SVA on FilmFreeway

For more information, please contact:
SVAFilmFestival@gmail.com

2017 Festival Co-Directors:
Kathryn Ramey (kathryn_ramey@emerson.edu)
Ulla D. Berg (uberg@rci.rutgers.edu)

Kate Hennessy

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December 22, 2016

Announcing Writing with Light – an anthropological photo-essay initiative

December 22, 2016 | By | No Comments

Writing with Light is an initiative to bolster the place of the photo-essay—and, by extension, formal experimentation—within international anthropological scholarship. As a collaboration between two journals published by the American Anthropological Association (AAA), Cultural Anthropology and Visual Anthropology ReviewWriting with Light is led by an editorial/curatorial collective that aims to address urgent and important concerns about the sustained prominence of multimodal scholarship and how that changes what anthropologists can and should see as productive knowledge. This initiative addresses as a central concern the development of appropriate criteria for evaluating these forms of multimodal scholarship. By focusing on the singular form of the photo-essay, we aim to interrogate the synergistic combination of images and words, while also considering the photo-essay’s narrative affordances and its capacity to go beyond storytelling. In sum, we believe that focused attention on the photo-essay might help us to rethink a broader array of anthropological questions regarding issues of mediation, representation, methodology, etc. and and potentially shift how anthropologists conceive of the discipline itself

For submission guidelines, please visit: https://culanth.org/photo_essays
Kate Hennessy

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September 23, 2016

Ohio University, Tenure-track Position

September 23, 2016 | By | No Comments

The Department of Sociology and Anthropology at Ohio University invites applications for a full-time, tenure-track Assistant Professor of Anthropology in cultural anthropology with specialization in visual and media anthropology. Geographical area is open. Ideal candidates will conduct research that is theoretically and ethnographically innovative and will be committed to excellence in undergraduate teaching. The successful candidate will be expected to teach upper-level courses in Ethnographic Methods and Anthropological Theory and their areas of expertise, as well as Introduction to Cultural Anthropology. The successful candidate will be expected to develop and strengthen program resources and opportunities relating to museum studies, including building connections with museum programs and institutions on campus and in the community. The position start date will be August 2017.

Housed in the Department of Sociology and Anthropology, the Anthropology Program (www.ohio.edu/socanth/anthropology/) consists of 7 full-time faculty and approximately 100 majors, and maintains a core focus on public engagement and outreach across the subfields. This focus provides opportunities for undergraduate students through community-based research and learning such as internships, field schools, independent research projects, and study abroad opportunities. Anthropology faculty teach 2 courses per semester. Ohio University (http://www.ohio.edu/) is a Research Extensive institution that serves more than 20,000 students on a residential campus in Athens, Ohio, a college town seventy-five miles southeast of Columbus, Ohio.

To apply online, go to http://www.ohiouniversityjobs.com/postings/20405 and submit a letter of application; curriculum vitae; research statement and one representative scholarly publication (attached as combined pdf file under “Research Interest”); statement of teaching philosophy; evidence of teaching effectiveness including recent teaching evaluations and two sample syllabi (attached as a combined pdf file under “Other” document type); and contact information for three professional references. Letters of recommendation will be requested after an initial screening of candidates to minimize inconvenience to applicants and referees.

Ph.D. in Anthropology is required by the start date. Review of application materials will begin on October 16, 2016 and the position will remain open until filled. For full consideration, please apply by October 31, 2016. Questions may be directed to Haley Duschinski, Search Committee Chair, at duschins@ohio.edu. All positions require final university approval.

Ohio University is committed to creating a respectful and inclusive educational and workplace environment. Ohio University is an equal access/equal opportunity and affirmative action employer with a strong commitment to building and maintaining a diverse workforce. Women, persons of color, persons with disabilities, and veterans are encouraged to apply. Ohio University is a member of the OH/Western PA/WV Higher Education Recruitment Consortium. www.ohwpawvherc.org.

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