CALL FOR SUBMISSIONS
John Collier Jr. Award for Still Photography
The John Collier Jr. Award for Still Photography is awarded periodically to an author or photographer whose publication, exhibit, website, or other multimedia production exemplifies the use of still photographs (both historical and contemporary) for research and communication of anthropological knowledge. The submission must have a strong visual research perspective along with being good documentary photography. The project must be nominated by a SVA member and include the consent of the person nominated. A letter of nomination and the supporting material (including name, book title or exhibit, website or multimedia production, publisher, author’s mailing address, phone and email) should accompany two copies of the creative work and be sent to the Committee Chairperson. The SVA board appointed committee of three then reviews the submitted works to decide on its merits. Winners are announced during the SVA/AAA meetings and presented with a John Collier Jr. or Mary Collier print, courtesy of the Collier Family Collection. Submissions for 2012 should be mailed to: The Collier Committee c/o Andrea Heckman Chairperson, P. O. Box 714, Taos Ski Valley, NM 87525.
Deadlines for Submission and Award Notification:
May 1st deadline for receipt of nomination and book submission to SVA
July 31 committee decision will be submitted to SVA President and Secretary
August 10th award information submitted to AAA program committee
The Collier Award is sponsored by the SVA Board of Directors in honor of the life and work of John Collier Jr. (1913-1992). Although suffering hearing loss and cognitive impairments early in life John Collier’s visual genius was enhanced by his early association with the well-known painter, Maynard Dixon and his wife Dorothea Lange. Other important influences were the artist Nicolai Fechin, the photographer Paul Strand, and the elders and compatriots in the American Indian communities of his youth. He worked as photographer for Roy E. Stryker in the FSA (Farm Security Administration) and the OWI (Office of War Information) during the early 1940s, with later professional photographic work in the Canadian Arctic, South American, and the United States.
His first formal visual anthropological work (1946) was in Otavalo, Ecuador with the Ecuadorian anthropologist Aníbal Buitrón. This was followed with work in Nova Scotia and the American Southwest with Alexander Leighton, and a major visual ethnography (1954-55) of Vicos, Peru, with Mary E.T. Collier. Subsequent work in New Mexico, Alaska, Arizona, and California included close attention to issues of cross cultural education and schooling. In 1967, he authored the acclaimed book, Visual Anthropology: Photography as a Research Method (Holt, Rinehart and Winston, second edition with Malcolm Collier (University of New Mexico Press, 1986). Collier was a founding member of both the Society for Visual Anthropology (SVA) and the Council on Anthropology and Education (CAE) and a long time supporter of SVA.
2003 The Ones Who Are Wanted: the Politics of Representation in a Photographic Exhibition by Corinne Kratz. Berkeley: University of California Press, 2002.
2003 Changing Works: Visions of a Lost Agriculture by Douglas Harper. Chicago: University of Chicago Press, 2001.
2006 Woven Stories: Andean Textiles and Rituals by Andrea Heckman. Albuquerque: University of New Mexico Press, 2003.
2008 A Danish Photographer of Idaho Images: Benedicte Wrensted by Joanna Cohan Scherer. Norman: University of Oklahoma Press, 2006.
Posted on: Sunday, March 25th, 2012